Chidvilasa Stavah (11-14 th slokas)

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Chidvilasa Stavah

 

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Atmatattva gatayo rashuddhayoh

atra karmakaraNAtmanordvayoh

shuddhatattvalayabhAvanAmayi

shuddhi rAtmakarayoh parA matA /...........11

 

The dissolve the antahkarana alongwith his 5 jnanendriyas and 5 karmendriyas in

the Shuddha Tattvas is the secret of *Kara Shuddhi Prakriya* which is done by

the upasaka as a part of Bahir Yaga.

 

Note: shuddha tattvas: shiva, shakti, sadasiva, ishwara, shuddha vidya

 

vEdyasamvida idamsphurAtmano

vEtrsamvidi vilApanamayi

vritti radvayavimarshavigrahA

prANasamyati rudIritottamA //................12

 

Samvid is also called *Chit* or *Jnana*. This is of the form of triad or

triputi rupa ie., 1) vEdyasamvit 2) vEtattrsamvid 3) vEdasamvid. vEda = object

to be Perceived / to be known; vEtta = Knower / Perceiver; vEdya = Perception /

Knowledge;

The laya or dissolution of vEda & vEtta in the Jnana rupa vEdya is the objective

of Pranayama performed by the upasaka.

 

AsanAni navachakrasamvidA

mudbhavasthitilayA strIsha strIshah

angaShaTkarachanA ShaDadhvanA

manshatAvagatirAtmasamvidah //.............13

 

Nava (9) Chakras or Nava (9) Trikonas of Sriyantra are the *asana* or seats of

the 9 aspects of *samvid*. These 9 aspects of samvid:

1) shriShTi-shriShTi 2) shriShTi-sthiti 3) shriShTi-samhAra

4) sthiti-shriShTi 5) sthiti-sthiti 6) sthiti-samhAra

7) samhAra-shriShTi 8) samhAra-sthithi 9) samhAra-samhAra

 

Here, the 1-2-3 are considered to be as one set; 4-5-6 to be second set; 7-8-9

to be 3rd set. Each set again has to be correlated with varna adhva, padAadhva &

mantrAdhva respectvely. Again each set has to be correlated with kalAdhva,

tattvAdhva & bhuvanAdhva respectively.

 

So, 9 stages of samvid / chit have to be correlated with shaD (6) adhvAs

respectively. These correlation of 6 adhvas with 9 samvidi kalas is the

objective of shaD (6) Anga Nyasas performed by upasaka in Bahiryaga.

 

 

kAma UrdhwagatabindurAnanam

bhAnurESha tadadhogatau stanau

chitrabhAnushashinAvubhaou - kalA

yoniratra saharArdhkunDali //.....................14

 

The *Great Kamakala Akshara* is described here. For details of this Kamakala

Mantra and lipi, readers are adviced to refer the sloka *mukham bindum kritva

......* of Saundaryalahari.

 

The Kamakala is represented as three dots with a single dot on the top and 2

dots at bottom. Further downwards between the 2 bottom dots there is another

symbol of ardha chandra.

 

The urdhwa (top) bindu is *Ravi*, the adhah (bottom) bindus are *Agni* &

*Chandra*. These 3 ie., Surya, Agni & Chandra bindus

are called *KAMA*; at the bottom-most part beneath the 2 dots, the ardha bindu

is called the *Yoni* or *HarArdha Kundalini*.

This Yoni is called *KALA*.

 

So, these 4 aspects ie., Surya, Agni, Chandra & Yoni is collectively called as

*KAMAKALA*.

 

 

//////////////to be continued ////////////////////////////

 

with regs,

sriram