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Hi Eric:

 

This excerpt on on the great Carnatic composer Dikshitar, from S.

Shankaranarayanan's treatise on the Sri Chakra, might be of interest

to you in this regard -- and it also adds something of great

importance to the initiate/non-initiate conversation in general:

 

" We would not have dealt adequately with the topic of Navavarana Puja

if we failed to mention the exquisite Navavarana kirtanas of Sri

Muthuswami Dikshitar, celebrated as one of the Music Trinity by the

votaries of Karnatic music.

 

" This is not the place to dwell on the soul-enthralling music of

Dikshitar and the solid, silent peace it brings down from the high

supernals; but it has to be mentioned that -- apart from being a

musician and composer of a very high order -- Dikshitar was a great

Tantric and a master of mellifluous Sanskrit.

 

" The Tantra Shastra, it has to be remembered, is very catholic in its

approach. Maybe it frowns on the unbeliever with its strictures,

confounds the critic with its misleading nomenclature, baffles the

non-initiate with its codes and conundrums, and laughs at the skeptic

with its down-to-earth approach. But to the earnest seeker, it opens

the doors wide and makes its treasures accessible -- irrespective of

caste, creed or sex. The Veda is prescribed for the first three

castes; but the Tantra is for all who aspire.

 

" Normally the worship of Sri Chakra and the Navavarana Puja are for

those who are initiated into the Sri Vidya Mantra. But if some people

earnestly seek the Divine Mother -- even if they are not initiated --

there should be a way for them to approach her. For the Divine Mother

is the Mother of all, of the wise as well as of the idiot, of the

initiate as well as the non-initiate, of the Gods as well as the Asuras.

 

" In Her eyes all are equal and She is equally compassionate toward

all. It is not necessary to know the Mantra or Yantra; a sincere

devotion and absolute surrender are all that are required. A mother

does not pick holes in the loving approach made by her child. As the

Tantric feelingly exclaims, if we slip on the ground, the ground is

our prop; if we are at fault in dealings with the Divine Mother, She

is our sole refuge.

 

" It is to the credit of Dikshitar that -- moved by this true Tantric

impulse of catholicity -- he set to music the cardinal principles of

Navavarana worship in his gem-like kritis, thus throwing open the

treasures of Navavarana Puja to all those who are moved to approach

the Divine Mother through devotional music. When these compositions

are sung with true devotion, the melodious music makes effective the

presence of the goddesses who are the wave vibrations of the infinite

ocean of Consciousness-Bliss.[1]

 

[1] There is a unique composition of Dikshitar in Madhyamavati Raga

beginning with the words " Sri Raja RajeswarIm. " This deals with the

worship of the whole Sri Chakra, enumerating the Nine Chakras with

their respective Mantras. "

 

Hope that helps!

 

DB

 

, " ecjensen_us " <ecjensen_us

wrote:

>

> could anyone here explain a little about Karnatic music and its use?

>

> , Radhakrishnan J

> <jayaarshree@> wrote:

> >

> > Hi everyone,

> >

> > About chanting of LSN, SL, LT etc., the traditional view point is

> that one must receive it from a guru even for reciting it without

> proper nyasa. These compositions are part of mantrashaastra and can be

> used in prayogas for kaamya purposes. Simply acquiring it from a book

> and reciting especially if one wants any of his desires fulfilled will

> be futile.

> >

>

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Note on Sri Kamalamba Nava Avarana Kritis

 

A spiritual aspirant needs to seek a guru and be initiated into the esoteric

practice of Sri Vidya Upasana. The practice itself requires strict adherence to

lists of Do’s and Don’t’s. Most people would find that the task of finding the

guru and the rigors of the pracice are difficult. Sri Muthuswamy Dikshitar was a

great Devi Upasaka and was well versed in all aspects of Sri Vidya Upasana. Out

of his devotion to Sri Kamalamba, (one of the 64 Sakti Peethams in India), the

celebrated deity at the famous Tyagaraja Temple in Tiruvarur and his compassion

for all bhaktas, Sri Muthuswamy Dikshitar composed the the Kamalamba Nava

Avarana kritis, expounding in each of the nine kritis, the details of the each

avarana of the Sri Chakra, including the devatas and the yoginis. Singing these

kritis with devotion, sraddha and understanding would be the easy way to Sri

Vidya Upasana for most people.

 

The set also includes a dhyana kriti, a mangala kriti and traditionally sung

on the nine days of Navaratri. One starts with the Ganasa kriti followed by the

guru kriti (to Sri BalaSubrahmanya) and continues with the dhyana and each of

the avarana kritis. The rendering concludes with the mangalam kriti.

 

(1) The first Avaranam is Bhoopuram and the Chakram is Trailokyamohana

chakra ‘enchants the three worlds’;The yogini is Prakata, the mental state of

the aspirant is Jagrata, Chakra Iswari is Tripura and the Saktis are 28 that

include the ten starting with Anima, the eight starting with Brahmya and the the

ten Mudra Saktis. [ANANDA BHAIRAVI: Kamalamba Samrakshatu]

 

(2) The second Avaranam is Shodasa Dalam, and the Chakram is Sarvasaparipuraka

chakra, ‘fulfills all expectations’; The yogini is Gupta Yogini. The mental

state is Swapna, the Chakra Iswari is Tripurasi and the Saktis are the sixteen

starting with Kamakarshini. [KALYANI: Kamalambam Bhajare]

 

(3) The third Avaranam is Ashtha Dalam; The Chakram is Sarvasamkshobana

chakra, ‘agitates all’; the Yogini is Gupta Tara Yogini. The mental state is

Sushupti, the Chakra Iswari is Tripura Sundari and the Saktis are the eight

starting with Ananga Kusuma. [sHANKARABHARANAM: Shree Kamalaambikayaa

Kataakshitoham]

 

(4) The fourth Avaranam is Chaturdasaram; the Chakram is Sarvasaubhagyadayaka

chakra, ‘grants excellence’; the Yogini is Sampradaya Yogini. The mental state

is Iswara Vicharam, Chakra Iswari is Tripura Vasini and the Saktis are the

fourteen starting with Samkshobhini. [KAMBODHI: Kamalaambikaayai

Kanakamshukaayai]

 

(5) The fifth Avaranam is Bahirdasaram; the Chakram is Sarvarthasadhakachakra,

is the ‘accomplisher of all’; the Yogini is Kulotteerna yogini. The mental state

is Guroopa Sadanam; the Chakra Iswari is Tripura Sri and the Saktis are the ten

starting with Sarva Siddhi Prada. [bHAIRAVI: Shree Kamalaambikaayaah Param

Nahire]

 

(6) The sixth Avaranam is Antardasaram; the Chakram is Sarvaraksakara chakra,

‘protects all’; the Yogini is Nigarbha Yogini. The mental state is Upadesam; the

Chakra Iswari is Tripura Malini and the Saktis are the ten starting with

Sarvagnya. [PUNNAGAVARALI: Kamalaambikaayaastava Bhaktoham]

 

(7) The Seventh Avaranam is Asthakonam; the Chakram is Sarvarogahara chakra,

‘cures all ills’; the Yogini is Rahasya Yogini. The mental state is Mananam; the

chakra Iswari is Tripura Siddhaa and the Saktis are the eight, starting with

Vashini. [sAHANA: Shree Kamalaambikaayaam Bhaktim Karomi]

 

(8) The eighth Avaranam is Trikonam; the Chakram is Sarvasiddhiprada chakra,

‘grants all perfection’; the Yogini is Ati Rahasya Yogini. The mental state is

Nitidhyasanam; the Chakra Iswari is Tripuramba and the Saktis are the three

starting with Kameshwari. [GHANTA: Shree Kamalaambike Avaava]

 

(9) The ninth Avaranam is the Bindu and the highest Chakram is

Sarvanandamaya chakra , ‘replete with bliss’. The mental state is Savikalpa

Samadhi; the Chakra Iswari is Maha Tripura Sundari and the Shakti is Maha

Tripura Sundai, the very personification of Para Brahman. [AHIRI: Shree

Kamalaambaa Jayati]

http://www.ecse.rpi.edu/Homepages/shivkuma/music/#k

 

 

kamalAmbA saMrakSatu mAM hRt (AvaraNa 1) rAga: Anandabhairavi / tALa: mishra

cApu pallavi kamalAmbA saMrakSatu mAM hRt

kamalAnagara nivAsinI

anupallavi sumanasArAdhitAbjamukhI sundara manahpriyakara sakhI

kamalajAnanda bOdhasukhI kAntAtAra paHnjarashukI

caraNaM tripurAdi cakrEshvarI aNimAdi

siddhIshvarI nitya kAmEshvarI

kSitipura trailOkyamOhana cakra

vartinI prakaTayOginI

suraripu mahiSAsurAdi marddinI

nigama purANAdi saMvEdinI

tripurEshI guruguha jananI

tripura bhaHnjana raHnjani

madhuripu sahOdarI talOdarI

tripura sundarI mahEshvarI

English May goddess Kamalamba, who resides at the heart of Kamalangara,

protect me.

Her lotus-like face is praised by virtuous people. She who is the beloved

companion of Lord Sundara-Shiva, who revels in joy deriving from wisdom and is

very beautiful. She is like the she-parrot in the center of the cage known as

Tara.

She is suzerain of the Chakra cosmogram, i.e. tripura etc., goddess for the

Siddhi powers such as Anima. She is eternal and beloved of

Kameshvara-Nityakameshvari. She is the sovereign ruler of the Trailokya Mohana

Chakra, the circle which beguiles the three worlds. She is the manifestation of

Yogic power, conqueror of the enemies of celestials such as Mahishasura. She is

revealed in holy scriptures. She is the spouse of Tripuresha-Shiva and the

mother of Guruguha. She enjoyed the destruction of Tripura. She is the sister

of Vishnu, who is the enemy of the demon Madhu. She is slender-waisted,

Tripurasundari the great goddess and spouse of Maheshvara.

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thank you DB, this is so cool. i want to find out more about this. so

if i understand correctly Dikshitar's compositions were not only

instrumental but incorporated the respective mantras to lead One thru

the Sri Chakra? where i could find an example of how this sounds?

 

, " Devi Bhakta " <devi_bhakta

wrote:

>

> Hi Eric:

>

> This excerpt on on the great Carnatic composer Dikshitar, from S.

> Shankaranarayanan's treatise on the Sri Chakra, might be of interest

> to you in this regard -- and it also adds something of great

> importance to the initiate/non-initiate conversation in general:

>

> " We would not have dealt adequately with the topic of Navavarana Puja

> if we failed to mention the exquisite Navavarana kirtanas of Sri

> Muthuswami Dikshitar, celebrated as one of the Music Trinity by the

> votaries of Karnatic music.

>

> " This is not the place to dwell on the soul-enthralling music of

> Dikshitar and the solid, silent peace it brings down from the high

> supernals; but it has to be mentioned that -- apart from being a

> musician and composer of a very high order -- Dikshitar was a great

> Tantric and a master of mellifluous Sanskrit.

>

> " The Tantra Shastra, it has to be remembered, is very catholic in its

> approach. Maybe it frowns on the unbeliever with its strictures,

> confounds the critic with its misleading nomenclature, baffles the

> non-initiate with its codes and conundrums, and laughs at the skeptic

> with its down-to-earth approach. But to the earnest seeker, it opens

> the doors wide and makes its treasures accessible -- irrespective of

> caste, creed or sex. The Veda is prescribed for the first three

> castes; but the Tantra is for all who aspire.

>

> " Normally the worship of Sri Chakra and the Navavarana Puja are for

> those who are initiated into the Sri Vidya Mantra. But if some people

> earnestly seek the Divine Mother -- even if they are not initiated --

> there should be a way for them to approach her. For the Divine Mother

> is the Mother of all, of the wise as well as of the idiot, of the

> initiate as well as the non-initiate, of the Gods as well as the Asuras.

>

> " In Her eyes all are equal and She is equally compassionate toward

> all. It is not necessary to know the Mantra or Yantra; a sincere

> devotion and absolute surrender are all that are required. A mother

> does not pick holes in the loving approach made by her child. As the

> Tantric feelingly exclaims, if we slip on the ground, the ground is

> our prop; if we are at fault in dealings with the Divine Mother, She

> is our sole refuge.

>

> " It is to the credit of Dikshitar that -- moved by this true Tantric

> impulse of catholicity -- he set to music the cardinal principles of

> Navavarana worship in his gem-like kritis, thus throwing open the

> treasures of Navavarana Puja to all those who are moved to approach

> the Divine Mother through devotional music. When these compositions

> are sung with true devotion, the melodious music makes effective the

> presence of the goddesses who are the wave vibrations of the infinite

> ocean of Consciousness-Bliss.[1]

>

> [1] There is a unique composition of Dikshitar in Madhyamavati Raga

> beginning with the words " Sri Raja RajeswarIm. " This deals with the

> worship of the whole Sri Chakra, enumerating the Nine Chakras with

> their respective Mantras. "

>

> Hope that helps!

>

> DB

>

> , " ecjensen_us " <ecjensen_us@>

> wrote:

> >

> > could anyone here explain a little about Karnatic music and its use?

> >

> > , Radhakrishnan J

> > <jayaarshree@> wrote:

> > >

> > > Hi everyone,

> > >

> > > About chanting of LSN, SL, LT etc., the traditional view point is

> > that one must receive it from a guru even for reciting it without

> > proper nyasa. These compositions are part of mantrashaastra and can be

> > used in prayogas for kaamya purposes. Simply acquiring it from a book

> > and reciting especially if one wants any of his desires fulfilled will

> > be futile.

> > >

> >

>

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Hi Eric:

 

They are not instrumental; there are sublime lyrics, but the mantras

are not overtly revealed. It is devotional music.

 

Someone posted an excellent description of the series at Wikipedia:

 

http://tinyurl.com/367w7d

 

Individual songs from the series frequently appear as selections on

Carnatic albums. In a quick glance through Celextel, however, I found

only one set (2 CDs) that contains the whole series together, sung by

Seetha Rajan:

 

http://tinyurl.com/3ce7ck

 

I have not heard it, so I cannot vouch for it one way or the other

though I would imagine it's probably great.

 

Hope that helps

 

DB

 

 

, " ecjensen_us " <ecjensen_us

wrote:

>

> thank you DB, this is so cool. i want to find out more about this. so

> if i understand correctly Dikshitar's compositions were not only

> instrumental but incorporated the respective mantras to lead One thru

> the Sri Chakra? where i could find an example of how this sounds?

>

> , " Devi Bhakta " <devi_bhakta@>

> wrote:

> >

> > Hi Eric:

> >

> > This excerpt on on the great Carnatic composer Dikshitar, from S.

> > Shankaranarayanan's treatise on the Sri Chakra, might be of interest

> > to you in this regard -- and it also adds something of great

> > importance to the initiate/non-initiate conversation in general:

> >

> > " We would not have dealt adequately with the topic of Navavarana Puja

> > if we failed to mention the exquisite Navavarana kirtanas of Sri

> > Muthuswami Dikshitar, celebrated as one of the Music Trinity by the

> > votaries of Karnatic music.

> >

> > " This is not the place to dwell on the soul-enthralling music of

> > Dikshitar and the solid, silent peace it brings down from the high

> > supernals; but it has to be mentioned that -- apart from being a

> > musician and composer of a very high order -- Dikshitar was a great

> > Tantric and a master of mellifluous Sanskrit.

> >

> > " The Tantra Shastra, it has to be remembered, is very catholic in its

> > approach. Maybe it frowns on the unbeliever with its strictures,

> > confounds the critic with its misleading nomenclature, baffles the

> > non-initiate with its codes and conundrums, and laughs at the skeptic

> > with its down-to-earth approach. But to the earnest seeker, it opens

> > the doors wide and makes its treasures accessible -- irrespective of

> > caste, creed or sex. The Veda is prescribed for the first three

> > castes; but the Tantra is for all who aspire.

> >

> > " Normally the worship of Sri Chakra and the Navavarana Puja are for

> > those who are initiated into the Sri Vidya Mantra. But if some people

> > earnestly seek the Divine Mother -- even if they are not initiated --

> > there should be a way for them to approach her. For the Divine Mother

> > is the Mother of all, of the wise as well as of the idiot, of the

> > initiate as well as the non-initiate, of the Gods as well as the

Asuras.

> >

> > " In Her eyes all are equal and She is equally compassionate toward

> > all. It is not necessary to know the Mantra or Yantra; a sincere

> > devotion and absolute surrender are all that are required. A mother

> > does not pick holes in the loving approach made by her child. As the

> > Tantric feelingly exclaims, if we slip on the ground, the ground is

> > our prop; if we are at fault in dealings with the Divine Mother, She

> > is our sole refuge.

> >

> > " It is to the credit of Dikshitar that -- moved by this true Tantric

> > impulse of catholicity -- he set to music the cardinal principles of

> > Navavarana worship in his gem-like kritis, thus throwing open the

> > treasures of Navavarana Puja to all those who are moved to approach

> > the Divine Mother through devotional music. When these compositions

> > are sung with true devotion, the melodious music makes effective the

> > presence of the goddesses who are the wave vibrations of the infinite

> > ocean of Consciousness-Bliss.[1]

> >

> > [1] There is a unique composition of Dikshitar in Madhyamavati Raga

> > beginning with the words " Sri Raja RajeswarIm. " This deals with the

> > worship of the whole Sri Chakra, enumerating the Nine Chakras with

> > their respective Mantras. "

> >

> > Hope that helps!

> >

> > DB

> >

> > , " ecjensen_us " <ecjensen_us@>

> > wrote:

> > >

> > > could anyone here explain a little about Karnatic music and its use?

> > >

> > > , Radhakrishnan J

> > > <jayaarshree@> wrote:

> > > >

> > > > Hi everyone,

> > > >

> > > > About chanting of LSN, SL, LT etc., the traditional view point is

> > > that one must receive it from a guru even for reciting it without

> > > proper nyasa. These compositions are part of mantrashaastra and

can be

> > > used in prayogas for kaamya purposes. Simply acquiring it from a

book

> > > and reciting especially if one wants any of his desires

fulfilled will

> > > be futile.

> > > >

> > >

> >

>

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This site : http://www.ecse.rpi.edu/Homepages/shivkuma/music/#k

has the complete set of the NavAvarana krithis.

The songs are listed in alphabetical order so you have to click on 'K' whch will

take you to " kamalamba naAvarana krithis " . The original MP3's section has the

recordings of D.K.Jayaraman. The lyrics as well as the meanings are also given

on the site.

 

 

Devi Bhakta <devi_bhakta wrote: Hi

Eric:

 

They are not instrumental; there are sublime lyrics, but the mantras

are not overtly revealed. It is devotional music.

 

Someone posted an excellent description of the series at Wikipedia:

 

http://tinyurl.com/367w7d

 

Individual songs from the series frequently appear as selections on

Carnatic albums. In a quick glance through Celextel, however, I found

only one set (2 CDs) that contains the whole series together, sung by

Seetha Rajan:

 

http://tinyurl.com/3ce7ck

 

I have not heard it, so I cannot vouch for it one way or the other

though I would imagine it's probably great.

 

Hope that helps

 

DB

 

, " ecjensen_us " <ecjensen_us

wrote:

>

> thank you DB, this is so cool. i want to find out more about this. so

> if i understand correctly Dikshitar's compositions were not only

> instrumental but incorporated the respective mantras to lead One thru

> the Sri Chakra? where i could find an example of how this sounds?

>

> , " Devi Bhakta " <devi_bhakta@>

> wrote:

> >

> > Hi Eric:

> >

> > This excerpt on on the great Carnatic composer Dikshitar, from S.

> > Shankaranarayanan's treatise on the Sri Chakra, might be of interest

> > to you in this regard -- and it also adds something of great

> > importance to the initiate/non-initiate conversation in general:

> >

> > " We would not have dealt adequately with the topic of Navavarana Puja

> > if we failed to mention the exquisite Navavarana kirtanas of Sri

> > Muthuswami Dikshitar, celebrated as one of the Music Trinity by the

> > votaries of Karnatic music.

> >

> > " This is not the place to dwell on the soul-enthralling music of

> > Dikshitar and the solid, silent peace it brings down from the high

> > supernals; but it has to be mentioned that -- apart from being a

> > musician and composer of a very high order -- Dikshitar was a great

> > Tantric and a master of mellifluous Sanskrit.

> >

> > " The Tantra Shastra, it has to be remembered, is very catholic in its

> > approach. Maybe it frowns on the unbeliever with its strictures,

> > confounds the critic with its misleading nomenclature, baffles the

> > non-initiate with its codes and conundrums, and laughs at the skeptic

> > with its down-to-earth approach. But to the earnest seeker, it opens

> > the doors wide and makes its treasures accessible -- irrespective of

> > caste, creed or sex. The Veda is prescribed for the first three

> > castes; but the Tantra is for all who aspire.

> >

> > " Normally the worship of Sri Chakra and the Navavarana Puja are for

> > those who are initiated into the Sri Vidya Mantra. But if some people

> > earnestly seek the Divine Mother -- even if they are not initiated --

> > there should be a way for them to approach her. For the Divine Mother

> > is the Mother of all, of the wise as well as of the idiot, of the

> > initiate as well as the non-initiate, of the Gods as well as the

Asuras.

> >

> > " In Her eyes all are equal and She is equally compassionate toward

> > all. It is not necessary to know the Mantra or Yantra; a sincere

> > devotion and absolute surrender are all that are required. A mother

> > does not pick holes in the loving approach made by her child. As the

> > Tantric feelingly exclaims, if we slip on the ground, the ground is

> > our prop; if we are at fault in dealings with the Divine Mother, She

> > is our sole refuge.

> >

> > " It is to the credit of Dikshitar that -- moved by this true Tantric

> > impulse of catholicity -- he set to music the cardinal principles of

> > Navavarana worship in his gem-like kritis, thus throwing open the

> > treasures of Navavarana Puja to all those who are moved to approach

> > the Divine Mother through devotional music. When these compositions

> > are sung with true devotion, the melodious music makes effective the

> > presence of the goddesses who are the wave vibrations of the infinite

> > ocean of Consciousness-Bliss.[1]

> >

> > [1] There is a unique composition of Dikshitar in Madhyamavati Raga

> > beginning with the words " Sri Raja RajeswarIm. " This deals with the

> > worship of the whole Sri Chakra, enumerating the Nine Chakras with

> > their respective Mantras. "

> >

> > Hope that helps!

> >

> > DB

> >

> > , " ecjensen_us " <ecjensen_us@>

> > wrote:

> > >

> > > could anyone here explain a little about Karnatic music and its use?

> > >

> > > , Radhakrishnan J

> > > <jayaarshree@> wrote:

> > > >

> > > > Hi everyone,

> > > >

> > > > About chanting of LSN, SL, LT etc., the traditional view point is

> > > that one must receive it from a guru even for reciting it without

> > > proper nyasa. These compositions are part of mantrashaastra and

can be

> > > used in prayogas for kaamya purposes. Simply acquiring it from a

book

> > > and reciting especially if one wants any of his desires

fulfilled will

> > > be futile.

> > > >

> > >

> >

>

 

 

 

 

 

 

 

Don't pick lemons.

See all the new 2007 cars at Autos.

 

 

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Guest guest

Thanks so much for the Wiki ref and also the URL, the composition

sounds marvellous. It comes serendipitously as devotions to

Kamalambika are ongoing here.

 

Does anyone have experience ordering CDs from this outfit in Chennai?

I haven't bought stuff like this online from abroad ever.

 

Max

 

>Individual songs from the series frequently appear as selections on

>Carnatic albums. In a quick glance through Celextel, however, I found

>only one set (2 CDs) that contains the whole series together, sung by

>Seetha Rajan:

>

><http://tinyurl.com/3ce7ck>http://tinyurl.com/3ce7ck

 

--

Max Dashu

Suppressed Histories Archives

http://www.suppressedhistories.net

Real Women, Global Vision

 

 

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Hi Max:

 

Glad you found the links interesting. Yes, I think you're in for a

treat if you decide to explore this further.

 

Celextel is fine; they're very secure, honest and reliable. You can

shop with confidence. The cost of air shipping from India is the only

issue, and it's really not that big a deal. You'll note that the CDs

are cheap by Western standards (for example, this 3-hour, 2-CD set

retails at ~ US $7.25).

 

Because secure overseas air post is expensive, you have to figure on

paying at least half again as much for shipping. So in this case

you'd probably get this 2-CD set for a total (including shipping) of

$12 or $13 or so, and in two weeks it'll be on your doorstep. ;-)

Pretty reasonable for two CDs of some of the greatest classical music

the world has to offer.

 

Hope that helps

 

DB

 

 

 

, Max Dashu <maxdashu wrote:

>

> Thanks so much for the Wiki ref and also the URL, the composition

> sounds marvellous. It comes serendipitously as devotions to

> Kamalambika are ongoing here.

>

> Does anyone have experience ordering CDs from this outfit in

Chennai?

> I haven't bought stuff like this online from abroad ever.

>

> Max

>

> >Individual songs from the series frequently appear as selections on

> >Carnatic albums. In a quick glance through Celextel, however, I

found

> >only one set (2 CDs) that contains the whole series together, sung

by

> >Seetha Rajan:

> >

> ><http://tinyurl.com/3ce7ck>http://tinyurl.com/3ce7ck

>

> --

> Max Dashu

> Suppressed Histories Archives

> http://www.suppressedhistories.net

> Real Women, Global Vision

>

>

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JAI MA! thanks Devi

 

, Devi <tclived wrote:

>

> This site : http://www.ecse.rpi.edu/Homepages/shivkuma/music/#k

> has the complete set of the NavAvarana krithis.

> The songs are listed in alphabetical order so you have to click on

'K' whch will take you to " kamalamba naAvarana krithis " . The original

MP3's section has the recordings of D.K.Jayaraman. The lyrics as well

as the meanings are also given on the site.

>

>

> Devi Bhakta <devi_bhakta wrote:

Hi Eric:

>

> They are not instrumental; there are sublime lyrics, but the mantras

> are not overtly revealed. It is devotional music.

>

> Someone posted an excellent description of the series at Wikipedia:

>

> http://tinyurl.com/367w7d

>

> Individual songs from the series frequently appear as selections on

> Carnatic albums. In a quick glance through Celextel, however, I found

> only one set (2 CDs) that contains the whole series together, sung by

> Seetha Rajan:

>

> http://tinyurl.com/3ce7ck

>

> I have not heard it, so I cannot vouch for it one way or the other

> though I would imagine it's probably great.

>

> Hope that helps

>

> DB

>

> , " ecjensen_us " <ecjensen_us@>

> wrote:

> >

> > thank you DB, this is so cool. i want to find out more about

this. so

> > if i understand correctly Dikshitar's compositions were not only

> > instrumental but incorporated the respective mantras to lead One thru

> > the Sri Chakra? where i could find an example of how this sounds?

> >

> > , " Devi Bhakta " <devi_bhakta@>

> > wrote:

> > >

> > > Hi Eric:

> > >

> > > This excerpt on on the great Carnatic composer Dikshitar, from S.

> > > Shankaranarayanan's treatise on the Sri Chakra, might be of

interest

> > > to you in this regard -- and it also adds something of great

> > > importance to the initiate/non-initiate conversation in general:

> > >

> > > " We would not have dealt adequately with the topic of

Navavarana Puja

> > > if we failed to mention the exquisite Navavarana kirtanas of Sri

> > > Muthuswami Dikshitar, celebrated as one of the Music Trinity by the

> > > votaries of Karnatic music.

> > >

> > > " This is not the place to dwell on the soul-enthralling music of

> > > Dikshitar and the solid, silent peace it brings down from the high

> > > supernals; but it has to be mentioned that -- apart from being a

> > > musician and composer of a very high order -- Dikshitar was a great

> > > Tantric and a master of mellifluous Sanskrit.

> > >

> > > " The Tantra Shastra, it has to be remembered, is very catholic

in its

> > > approach. Maybe it frowns on the unbeliever with its strictures,

> > > confounds the critic with its misleading nomenclature, baffles the

> > > non-initiate with its codes and conundrums, and laughs at the

skeptic

> > > with its down-to-earth approach. But to the earnest seeker, it

opens

> > > the doors wide and makes its treasures accessible --

irrespective of

> > > caste, creed or sex. The Veda is prescribed for the first three

> > > castes; but the Tantra is for all who aspire.

> > >

> > > " Normally the worship of Sri Chakra and the Navavarana Puja are for

> > > those who are initiated into the Sri Vidya Mantra. But if some

people

> > > earnestly seek the Divine Mother -- even if they are not

initiated --

> > > there should be a way for them to approach her. For the Divine

Mother

> > > is the Mother of all, of the wise as well as of the idiot, of the

> > > initiate as well as the non-initiate, of the Gods as well as the

> Asuras.

> > >

> > > " In Her eyes all are equal and She is equally compassionate toward

> > > all. It is not necessary to know the Mantra or Yantra; a sincere

> > > devotion and absolute surrender are all that are required. A mother

> > > does not pick holes in the loving approach made by her child.

As the

> > > Tantric feelingly exclaims, if we slip on the ground, the ground is

> > > our prop; if we are at fault in dealings with the Divine

Mother, She

> > > is our sole refuge.

> > >

> > > " It is to the credit of Dikshitar that -- moved by this true

Tantric

> > > impulse of catholicity -- he set to music the cardinal

principles of

> > > Navavarana worship in his gem-like kritis, thus throwing open the

> > > treasures of Navavarana Puja to all those who are moved to approach

> > > the Divine Mother through devotional music. When these compositions

> > > are sung with true devotion, the melodious music makes

effective the

> > > presence of the goddesses who are the wave vibrations of the

infinite

> > > ocean of Consciousness-Bliss.[1]

> > >

> > > [1] There is a unique composition of Dikshitar in Madhyamavati Raga

> > > beginning with the words " Sri Raja RajeswarIm. " This deals with the

> > > worship of the whole Sri Chakra, enumerating the Nine Chakras with

> > > their respective Mantras. "

> > >

> > > Hope that helps!

> > >

> > > DB

> > >

> > > , " ecjensen_us " <ecjensen_us@>

> > > wrote:

> > > >

> > > > could anyone here explain a little about Karnatic music and

its use?

> > > >

> > > > , Radhakrishnan J

> > > > <jayaarshree@> wrote:

> > > > >

> > > > > Hi everyone,

> > > > >

> > > > > About chanting of LSN, SL, LT etc., the traditional view

point is

> > > > that one must receive it from a guru even for reciting it without

> > > > proper nyasa. These compositions are part of mantrashaastra and

> can be

> > > > used in prayogas for kaamya purposes. Simply acquiring it from a

> book

> > > > and reciting especially if one wants any of his desires

> fulfilled will

> > > > be futile.

> > > > >

> > > >

> > >

> >

 

> Don't pick lemons.

> See all the new 2007 cars at Autos.

>

>

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You should hear DB sing the keetranas!!

 

Max Dashu <maxdashu wrote: Thanks so much for the Wiki ref and

also the URL, the composition

sounds marvellous. It comes serendipitously as devotions to

Kamalambika are ongoing here.

 

Does anyone have experience ordering CDs from this outfit in Chennai?

I haven't bought stuff like this online from abroad ever.

 

Max

 

>Individual songs from the series frequently appear as selections on

>Carnatic albums. In a quick glance through Celextel, however, I found

>only one set (2 CDs) that contains the whole series together, sung by

>Seetha Rajan:

>

><http://tinyurl.com/3ce7ck>http://tinyurl.com/3ce7ck

 

--

Max Dashu

Suppressed Histories Archives

http://www.suppressedhistories.net

Real Women, Global Vision

 

 

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Yes, definitely! *lol* They are available for download at iTunes ...

 

, sankara menon <kochu1tz wrote:

>

> You should hear DB sing the keetranas!!

 

>

> Max Dashu <maxdashu wrote: Thanks so much for the Wiki

ref and also the URL, the composition

> sounds marvellous. It comes serendipitously as devotions to

> Kamalambika are ongoing here.

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