SUNDAY SAI SATSANG : INVITATION : 10 MAY, 2009, SATYAM SHIVAM TEMPLE, SECTOR-9, ROHINI

[Guest guest]

DEAR SAI DEVOTEES,

 

I HERE BY TAKE PRIDE IN INVITING ALL SAI DEVOTEES TO ATTEND SUNDAY SAI SATSANG .

 

SATSANG DETAILS

 

DATE : 10 MAY, 2009

VENUE: SATYAM SHIVAM SUNDRAM TEMPLE, SECTOR-9, ROHINI

TIME : 10 AM TO 12 NOON

 

PLEASE FIND BELOW BRIEF DESCRIPTION OF SAI SATSANG .

 

WARM REGARDS

DHARMINDER SURI

9811205800

 

***************************************************************************************

 

 

OM SAI RAM!!!

 

 

WITH BABA'S PERMISSION AND BLESSINGS WE ( 8 FAMILIES IN ROHINI) STARTED SUNDAY SAI SATSANG WHICH IS VERY UNIQUE IN ITSELF AS EXPLAINED BELOW

 

THIS SAI SATSANG IS VERY POWERFUL TOOL TO MEDITATE ON BABA'S FORM.

 

TODAY THIS SATSANG IS BEING PERFORMED IN VARIOUS STATES ACROSS INDIA.

 

SUNDAY SAI SATSANG WAS CONCEIVED WITH THE FOLLOWING IDEAS

 

 

ALL DEVOTEES TO PARTICIPATE EQUALLY, SING BABA’S LEELA’S TO MAKE IT A REAL SATSANG .

GET INVOLVED IN EVERY BHAJAN AND CONNECT IT TO YOUR LIFE.

MEDITATE ON BABA’S FORM , EXPERIENCE BABA’S DIVINE BLISS , GRACE AND PRESENCE WHILE THE SATSANG IS ON.

 

DURATION : 2 HOURS

 

METHODOLOGY :

 

LAPTOP IS CONNECTED TO HOME THEATER .. BABA'S POOJA AND BHAJANS ARE PLAYED ONE BY ONE AND DEVOTEES SING ALONG THESE BHAJANS.

 

SATSANG DETAILS :

 

DEVOTEES ARE GIVEN A FOLDER IN WHICH SAI BHAJANS, SAI POOJA IS PRINTED. DEVOTEES READ AND SING ALONG WHEN THESE PARTICULAR BHAJAN/ POOJA IS PLAYED IN THE SURROUND SYSTEM.

 

1. SATSANG STARTS BY PLAYING SAI DHUN FOR 2-3 MINUTES :

 

( SHIRDI VASAY VIDMAHEY - SACHIDANANDA DE MAHEE- TANO SAI PRACHODYA )

 

DESCRIPTION : WHILE THIS DHUN IS PLAYED ON THE SURROUND SYSTEM, DEVOTEES ARE REQUESTED TO IMAGINE THAT THEY ARE IN YEAR 1910 AND ARE SITTING IN DWARKAMAI WITH BABA SITTING ON SHILA.

 

OBJECTIVE : DEVOTEES TO MEDITATE ON BABA'S FORM.

 

THEN....

 

2. UTHA UTHA SAKAL JANAH IS PLAYED IN THE SURROUND SYSTEM

3. GHAN SHYAM SNDARA IS PLAYED IN THE SURROUND SYSTEM

4. FOLLOWING BABA'S POOJA ( WHICH WAS WRITTEN BY FEW DEVOTEES IN

THE YEAR 1968 ) IS PLAYED IN THE SURROUND SYSTEM

a. NAMESTEY DIVYA ROOPAYEH , NAMESTEY SATYA MURTEYAH

b. 108 NAMAVALI

c. GANESH POOJA

d. STANZA FROM DAG GANU'S SAI STAVAN MANJARI -

SHANTCHITYA MAHA PRAGYA SAI NATHA DAYA GHANA...

 

..

 

6-7 SELECTED BHAJANS ( IN WHICH DEVOTES ARE ASKING FOR BABA'S PARDON AND BLESSINGS) OUT OF BHAJANS LISTED BELOW ARE PLAYED IN THE SURROUND SYSTEM.

 

DEVOTEES SING ALONG THESE BHAJANS AND RELATE THEM TO THEIR REAL LIFE AND FEEL IMMEDIATE CONNECTIVITY WITH BABA.

 

a. SAI REHAM NAZAR KARNA

b. SAI NAATH DAYA KAR KE

c. ITNE AAJ DUA DE BABA..

d. JAISE BHEE HEIN AB TOO TERE HEIN SAI

e. KYA MANGOON SAI RAM

f. MERA AAP KE KRIPA SE SAB KAAM HO RAHA HAI .

g. MUAF KARNA GUNAH MERE .

h. DAYA KARO MERE SAI

 

.........ETC ETC

 

5. BABA'S PRARTHNA TAKEN FROM CHAPTER 25 OF SAI SATCHARITA ( MUST

FOR ALL SAI DEVOTEES ) IS PLAYED IN THE SURROUND SYSTEM.

 

DEVOTEES PRAY TO BABA WITH FOLDED HANDS WHILE THIS PRARTHNA IS BEING PLAYED AND GET CONNECTED WITH BABA.

 

6. OM SHRI SAI NATAHY NAMAH IS PLAYED ON THE SURROUND SYSTEM.

 

DEVOTEES MEDITATE ON BABA'S FORM BY IMAGINING THAT THEY ARE IN YEAR 1910 AND ARE SITTING IN DWARKAMAI WITH BABA SITTING ON SHILA

 

7. LOBAN IS CIRCULATED IN THE MEDITATION HALL AND MADHYANTAR

AARTI IS PLAYED AND SUNG BY ALL DEVOTEES.

 

THIS MARKS THE END OF SATSANG.

 

 

******************************************************************************

 

 

 

 

 

 

 

 

 

CODE OF CONDUCT TO BE FOLLOWED IN SUNDAY SAI SATSANG

 

1.. DEVOTEES ARE REQUESTED TO REACH SATSANG HALL AT 9:45 AM

2.. DEVOTEES ARE REQUESTED TO BE SEATED BY 10:00 AM AS SATSANG STARTS SHARP AT 10:00 AM. AND AARTI IS PERFORMED SHARP AT 12 NOON FOLLOWED BY PRASAD.

3.. SATSANG HALL IS BOLTED AT 10:05AM POST WHICH ENTRY INTO HALL IS NOT ALLOWED.

4.. DEVOTEES ARE REQUESTED TO SIT IN A STRAIGHT QUEUE LIKE SCHOOL CHILDREN FACING BABA ONLY FROM FRONT TO BACK.

5. WHILE SATSANG IS ON NO DEVOTEE IS SUPPOSED TO MAKE ANY EYE TO EYE CONTACT WITH FELLOW DEVOTEES SITTING ON THIER LEFT OR RIGHT AS THIS DISTURBS DEVOTEE’S CONNECTIVITY WITH BABA.

6.. WHILE SATSANG IS ON NO DEVOTEE IS SUPPOSED TO ATTEND ANY CELL PHONE CALL

7.. DEVOTEES ARE REQUESTED TO CONCENTRATE ON BABA’S FORM / FEET/ EYES ONLY OR CLOSE THEIR EYES WHILE THE SATSANG IS ON , GO BACK IN YEAR 1910 AND REALISE AS IF THEY ARE SITTING IN DAWARKAMAI WITH BABA SITTING ON HIS SHILA SHOWERING HIS GRACE ON US.

 

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[Guest guest]

Dear Sai Devotees,

 

This is to inform you all Shree Sai Devotees that on 31st May 2009, Sunday Sai Bhakta Samaj Hastsal, Uttam Nagar arranged Shree Sai Sandhya and worlds the best singer/ Qawali singer Sufi Brither Hamasar Hayat Nizami would be the highlight of that special evening followed by bhandara. The programme will begin with Palki process and later Sufi Brither Hamasar Hayat Nizami will take that evening further with his golden voice to distribute MASTI of Baba's Bhajans and Qawalies till the permission of Lord Sai,

 

Jai Sai Ram

**  Om Sai Ram  **

2009/5/4 Dharminder Suri <dharminder_suri

 

 

 

 

 

 

 

 

 

 

DEAR SAI DEVOTEES,

 

I HERE BY TAKE PRIDE IN INVITING ALL SAI DEVOTEES TO ATTEND SUNDAY SAI SATSANG .

 

SATSANG DETAILS

 

DATE : 10 MAY, 2009

VENUE: SATYAM SHIVAM SUNDRAM TEMPLE, SECTOR-9, ROHINI

TIME : 10 AM TO 12 NOON

 

PLEASE FIND BELOW BRIEF DESCRIPTION OF SAI SATSANG .

 

WARM REGARDS

DHARMINDER SURI

9811205800

 

***************************************************************************************

 

 

OM SAI RAM!!!     WITH BABA'S PERMISSION AND BLESSINGS WE ( 8 FAMILIES IN ROHINI) STARTED SUNDAY SAI SATSANG WHICH IS VERY UNIQUE IN ITSELF AS EXPLAINED BELOW

  THIS SAI SATSANG IS VERY POWERFUL TOOL TO MEDITATE ON BABA'S FORM.   TODAY THIS SATSANG IS BEING PERFORMED IN VARIOUS STATES ACROSS INDIA.   SUNDAY SAI SATSANG WAS CONCEIVED WITH THE FOLLOWING IDEAS

 

ALL DEVOTEES TO PARTICIPATE EQUALLY, SING BABA’S LEELA’S TO MAKE IT A REAL SATSANG .

GET INVOLVED IN EVERY BHAJAN AND CONNECT IT TO YOUR LIFE.

MEDITATE ON BABA’S FORM , EXPERIENCE BABA’S DIVINE BLISS , GRACE AND PRESENCE WHILE THE SATSANG IS ON.

  DURATION : 2 HOURS   METHODOLOGY :

  LAPTOP IS CONNECTED TO HOME THEATER .. BABA'S POOJA AND BHAJANS ARE PLAYED ONE BY ONE AND DEVOTEES SING ALONG THESE BHAJANS.   SATSANG DETAILS :

  DEVOTEES ARE GIVEN A FOLDER IN WHICH SAI BHAJANS, SAI POOJA IS PRINTED. DEVOTEES READ AND SING ALONG WHEN THESE PARTICULAR BHAJAN/ POOJA IS PLAYED IN THE SURROUND SYSTEM.   1.         SATSANG STARTS BY PLAYING SAI DHUN FOR 2-3 MINUTES :

  ( SHIRDI VASAY VIDMAHEY - SACHIDANANDA DE MAHEE- TANO SAI PRACHODYA )

  DESCRIPTION : WHILE THIS DHUN IS PLAYED ON THE SURROUND SYSTEM, DEVOTEES ARE REQUESTED TO IMAGINE THAT THEY ARE IN YEAR 1910 AND ARE SITTING IN DWARKAMAI WITH BABA SITTING ON SHILA.   OBJECTIVE : DEVOTEES TO MEDITATE ON BABA'S FORM.   THEN....   2.         UTHA UTHA SAKAL  JANAH IS PLAYED IN THE SURROUND SYSTEM 3.         GHAN SHYAM SNDARA IS PLAYED IN THE SURROUND SYSTEM 4.         FOLLOWING BABA'S POOJA ( WHICH WAS WRITTEN BY FEW DEVOTEES IN              THE YEAR 1968 ) IS PLAYED IN THE SURROUND SYSTEM              a.        NAMESTEY DIVYA ROOPAYEH , NAMESTEY SATYA MURTEYAH

            b.         108 NAMAVALI             c.         GANESH POOJA             d.         STANZA FROM DAG GANU'S SAI STAVAN MANJARI - 

                          SHANTCHITYA MAHA PRAGYA SAI NATHA DAYA GHANA...   .   6-7  SELECTED BHAJANS ( IN WHICH DEVOTES ARE ASKING FOR BABA'S PARDON AND BLESSINGS) OUT OF BHAJANS LISTED BELOW   ARE PLAYED IN THE SURROUND SYSTEM.

  DEVOTEES SING ALONG THESE BHAJANS AND RELATE THEM TO THEIR REAL LIFE AND FEEL IMMEDIATE CONNECTIVITY WITH BABA.   a.         SAI REHAM NAZAR KARNA b.         SAI NAATH DAYA KAR KE

c.         ITNE AAJ DUA DE BABA.. d.         JAISE BHEE HEIN AB TOO TERE HEIN SAI

e.         KYA MANGOON SAI RAM f.          MERA AAP KE KRIPA SE SAB KAAM HO RAHA HAI . g.         MUAF KARNA GUNAH MERE . h.         DAYA KARO MERE SAI

  ........ETC ETC

  5.         BABA'S PRARTHNA TAKEN FROM CHAPTER 25 OF SAI SATCHARITA ( MUST

             FOR ALL SAI DEVOTEES ) IS PLAYED IN THE SURROUND SYSTEM.   DEVOTEES PRAY TO BABA WITH FOLDED HANDS WHILE THIS PRARTHNA IS BEING PLAYED AND GET CONNECTED WITH BABA.   6.         OM SHRI SAI NATAHY NAMAH IS PLAYED ON THE SURROUND SYSTEM.   DEVOTEES MEDITATE ON BABA'S FORM BY IMAGINING THAT THEY ARE IN YEAR 1910 AND ARE SITTING IN DWARKAMAI WITH BABA SITTING ON SHILA   7.         LOBAN IS CIRCULATED IN THE MEDITATION HALL AND MADHYANTAR

            AARTI IS PLAYED AND SUNG BY ALL DEVOTEES.   THIS MARKS THE END OF SATSANG.     ******************************************************************************                   CODE OF CONDUCT TO BE FOLLOWED IN SUNDAY SAI SATSANG   1..                   DEVOTEES ARE REQUESTED TO REACH SATSANG HALL AT 9:45 AM

2..                   DEVOTEES ARE REQUESTED TO BE SEATED BY 10:00 AM AS SATSANG STARTS SHARP AT 10:00 AM. AND AARTI IS PERFORMED SHARP AT 12 NOON FOLLOWED BY PRASAD. 3..                   SATSANG HALL IS BOLTED AT 10:05AM POST WHICH ENTRY INTO HALL IS NOT ALLOWED. 4..                   DEVOTEES ARE REQUESTED TO SIT IN A STRAIGHT QUEUE LIKE SCHOOL CHILDREN FACING BABA ONLY FROM FRONT TO BACK. 5.                  WHILE SATSANG IS ON NO DEVOTEE IS SUPPOSED TO MAKE ANY EYE TO EYE CONTACT WITH FELLOW DEVOTEES SITTING ON THIER LEFT OR RIGHT AS THIS DISTURBS DEVOTEE’S CONNECTIVITY WITH BABA. 6..                   WHILE SATSANG IS ON NO DEVOTEE IS SUPPOSED TO ATTEND ANY CELL PHONE CALL 7..                   DEVOTEES ARE REQUESTED TO CONCENTRATE ON BABA’S FORM / FEET/ EYES ONLY OR CLOSE THEIR EYES WHILE THE SATSANG IS ON , GO BACK IN YEAR 1910 AND REALISE AS IF THEY ARE SITTING IN DAWARKAMAI WITH BABA SITTING ON HIS SHILA SHOWERING HIS GRACE ON US.  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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