Guest guest Posted August 18, 2008 Report Share Posted August 18, 2008 Login Welcome to our new website..! Any suggestions/comments are always welcome. Please forward them to: mail Article Submission Alumni Meet photos Home About Us Mission Institutions News Archives Newsletters Patrons Feedback Links FAQ August 15, 2008 The completion of sixty years is a very spiritual event in the life of a person as per Bharatiya traditions. It is celebrated as the "Shashti Poorthi." It signifies the fact that a person has completed all his/her earthly duties and from now on, the focus is God and God alone. It is an event that marks the watershed in the life of any person. And India today, turned 60 as a free and independent nation! What greater fortune for this nation for when everyone turns Godward as they turn 60, God has turned towards her ever since her birth and also when She turned 60! As if symbolizing this Godward turn for Mother India, as everyone awoke to "life and freedom", in the words of Pandit Nehru, Puttaparthi awoke to the celebration and worship of the Mother in the form of the Varalakshmi Vratam! It is very significant that this Vratham(vow) is one that is done only by the ladies and it has very spiritual connotations. The fact that this vow was performed in the divine presence on the occasion of independence day as Mother India completed her 60th birthday was in itself thrilling and goose bumps erupted on the being of anyone who realized the supreme significance. The whole Kulwant hall resembled a bedecked bride awaiting her Lord! The stage had been set and a small pandal had been erected to house the presiding deity, Lakshmi. All the ladies participating in the pooja were seated neatly in rows on both the ladies and gents side of the Kulwant hall. Swami came out after 9:30 am. He moved along the lines of the ladies, all dressed up in pink, granting darshan. There was the gap in the centre but today Swami said that He wanted to go on and complete a full darshan round. The students were in one corner of the hall and Swami moved there too. After completing it, Swami moved onto the stage. There He lit the lamp to mark the auspicious beginning of the worship. The Veda chanting was told to subside and the pooja began. Swami sat for a while as the worship went on and then He moved into the interview room. Five minutes later He was out again and He began a second round of "rounds" starting with the ladies side. He slowly moved along the lines of the worshipping ladies and blessed a few of them too by sprinkling the holy Akshatha grains. He moved around the entire gathering and surely there wasn't even a single woman who could complain of not being able to see Swami from close quarters. As Swami went on these rounds, the pooja continued. The various aspects of Laksmi were worshipped and mantras chanted- some by everyone and some others only by the priests. Swami slowly returned to the stage and He sat witnessing the rituals. The story behind the worship and the inner significance also was explained by the chief priest. The event concluded with the women exchanging gifts with the feeling that they were welcoming and presenting to the Goddess Herself. As holy threads were tied on the wrists, Swami blessed the conclusion of the worship. He spoke to and blessed the priests. Prasadam was blessed to be distributed to everyone and as the prasadam distribution went on, Swami asked the priest to chant some special Sama Veda mantras. He chanted or rather sang them slowly and well. Swami swayed to those tunes! After that was completed, He blessed the priests once more and then left after receiving Aarthi. In the evening, there was a scheduled programme by Smt Sunitha. She is a renowned Playback Singer, Anchor and Dubbing Artist in Bollywood and Tollywood. She has won many awards at various levels. The stage was set by way of a wonderful blue carpet in the central marble block. The artistes were ready and Swami came for darshan rounds. He took a complete round and then moved into the interview room. He soon came out and asked for the concert to begin. She sang many light devotional songs and most of them were in Telugu. She was lost in the joy and feelings that aroused in her as she sang and Swami too was very happy listening to her sing. She was accompanied by a keyboard, a table, a veena, a tambourine and a mridangam. She completed her planned quota of 6-7 songs. Swami, however, asked her to sing some more. She sang one more and when Swami asked her to sing another, she seemed so very thrilled and happy. She told Swami that the song she was about to sing was one that matched exactly to what she was feeling right now. She also sang a Meera bhajan. She finally concluded with Swami's bhajan, "Giridhara Naagara Kunja Vihaari" which everyone followed. Swami called her to the stage and created a gold chain for her. He also gifted silk sarees to her and safari pieces to her accompanying artistes. He also blessed her husband who came up the side stage. He had many words of encouragement for the singer and He very lovingly blessed her. To the husband, He seemed to be advising and correcting! He blessed him too and then each of the accompanying artistes too had their share of interaction with Him. As they returned to their places, Swami asked for the boys to sing bhajans. Two bhajans with Aalaap were sung and everyone including the artistes followed with great fervour. As the bhajans concluded Swami called one of the students and asked him to sing a song. He sang the Carnatic song, "Dinakara Shubhakara" with all its intricacies. The singer artiste of the evening, Smt Sunitha, herself was lost in appreciation of the lad's singing. After he completed Swami told her that from a young age itself the boy had been practising and that he was a student in the University. She seemed very happy and pleased for she too had begun her music training at a young age of three. Prasadam was blessed to be distributed to all and Swami received Aarthi. Swami sat through the whole Aarthi and at the end raised both His hands in blessings and benediction. It was 7:00 pm as He retired into Yajur Mandir. Click here to see pictures of the event. August 14, 2008 15th of August 2008 had both celebrations, of the Indian Independence Day and the Varalakshmi Vratam. Swami never allows anyone to go disappointed. And thus, Swami instructed the students to put up their traditional I-day drama on the 14th evening itself so that the very elaborate preparations that had gone into the Vratam could continue into fruition the next day. The stage was set and all the boys in their costumes were seated in the bhajan hall. Swami moved along the lines as He came out for darshan and then as He reached the central block, He looked admiringly at the simple yet elegant backdrop that had been constructed with the Indian tricolour on it. He cut through the central area and moved straight into the bhajan hall. All the actors were waiting. Swami seems to be fascinated by good colourful costumes. And like a child, He seemed so happy seeing the 'various colours' of the boys! He was 'introduced' to Gandhiji, Subash Chandra Bose and Bhagat Singh. He looked at a bearded person sitting nearby and asked him what he was doing. He turned out to be Harishchandra and his wife Chandramati too was nearby in a blue saree! Swami was also very happy to see Krishna and Arjuna figure in the scheme of things. He enquired into the duration of the programme. 1 hour was the answer. Similarly, Vasishta and Vishwamitra were introduced to Him. Swami blessed all the actors and told them that He would soon be out to witness their programme. As per His word, He soon came out and asked for the Veda chanting to give way to the programme. Krishna and Arjuna came up to Him and offered roses. Swami appeared very touched seeing Krishna in all splendour. The programme started with the Sootradhaari or compere introducing the drama. Then all of a sudden, he asked, "Why are you proud to be an Indian?" Everyone were taken by surprise. A few tense moments passed when it seemed that no one wanted to voice an answer! Then a hand went up and a student rose saying, "There are many reasons why I am proud to be an Indian. But the greatest and the most heartfelt is because God has taken birth here over and over again through the ages!" The crowd burst into a joyful applause and Swami was very touched. He called the student and told him to announce that the programme was being done by the 2nd year post graduate boys and he did as asked. The programme continued with another student, a lad from the 8th standard getting up and stating that he too was proud to be with the avatar and for the reason that Bharat has such a glorious culture. Swami was deeply touched to see the fire in the belly of that child. The drama was weaved into a fine brocade of a story by the threads of little known individual patriots who gave their all for the sake of Poorna Swaraj. The story coursed alongside the lives of two young men who dedicate their lives for the freedom struggle under the leadership of the Mahatma, Gandhiji. They rise against the British non-violently, trusting the power of their immortal spirit rather than relying on the strength of the mortal body. They receive the blows rained by the British joyfully knowing that each blow that seemed to crush their body actually developed their resolve to be free into an indomitable and unbreakable one. They go to jail and there too experience the joy of Unity and oneness as people of all religions and strata in society rub shoulders, united in the common cause of freeing Mother India from the fetters of foreign rule. Gandhiji motivates them by his mere words which are laced with Truth. The episode of Sathya Harishchandra was depicted very aptly at this point. Being a king, Harishchandra is reduced to a poor undertaker at the cemetery. His legendary adherence to Truth is seen as he refuses to be bound by bodily attachments and bury his own son for free. His wife pleads and the king's heart bleeds. But he remains firm in his resolve to be on the path of Truth. As Swami saw the episode of Harishchandra, He became very emotional. It seemed as if His heart too bled and tears were shed at the memory of a person who always adhered to the path of Truth and righteousness. Especially when Chandramati, the wife, pleaded for the son, the divine mother that He is, Swami felt the pangs of another mother's heart. When the protagonist of the play loses his son to police brutality, he is a broken man. With tears he goes to his Guru, Sri Aurobindo. His brother and comrade too is there and he is just unable to understand why people meekly receive blows and think that it is bravery to be non-violent. Did not the Lord Krishna in the Bhagwad Gita too urge Arjuna to rise in arms? The Guru clears all the doubts by taking both the disciples through the Bhagwad Gita. The Krishna Arjuna dialogue ensues and message becomes very clear. Krishna, though apparently urged Arjuna to wage war, wanted him to actually give up body attachment. And war was the means of doing it then for Arjuna did not want to fight because he thought he was killing his own people. Non violence was the means now for the revolutionaries wanted to fight because they thought they were killing enemies! Whatever be the means, the end must be to annihilate body consciousness and then alone can one be truly free. Towards the end, the heroes, Gandhiji, Bhagat Singh and Subash Chandra Bose made their brief but very inspiring appearances. Patriotic songs were liberally sprinkled all over the drama and all the singing was being done live. Rather than using recorded tracks, the boys wanted to get immersed in the feelings of the day and occasion and sing the songs live. It had the desired effect as each song touched the people in some deep recess of the heart. There were no spectators or audience today as all felt one with the feelings of patriotism and true love being depicted at the centre. The drama concluded with all the students coming forward in the crescent formation. Then in military style, one by one, they all stepped out of line, stated loudly and proudly what the Bharata Bhagya Vidhata, Swami, had done for them and then stepped back in line. As this concluded, it was so clear for all in the hall that if at all there is a True Patriot, then He sat right before them robed in the saffron of sacrifice! This final portion elicited a lot of applause from everyone. Swami called all the actors to Him. He was very happy and He congratulated everyone. A 'muslim' from the drama was called onstage and Swami spoke a few words with him. He however commented that the Bhagwad Gita was the greatest treasure from India and more time should have been spent on dilating its teachings. He then moved down to the performance area to grant the students the privilege of group photos with Him. He materialised a beautiful and thick gold chain for the student who played the role of Krishna. A point to be noted here is that Swami always seems to gift those actors who do positive roles, however small their actual roles may be. It is not that He is not rewarding talent and making a bias or anything of that sort. Swami believes that the only way to spread goodness and 'Godness' in the world is by embodying those qualities. Whenever the students put up a drama in front of Him, they involve themselves so deeply in their roles so that they can do their best. It is but natural that the ones who get so involved in the roles that are divine, Krishna in this case, really embody that divine spirit, even if its for a short duration. Swami rewards that noble effort and feeling. Swami accepted all the letters the boys had to offer. He moved back on stage slowly and then very patiently and lovingly posed for group photos with all the boys. He Himself called on the groups. "Krishna and Arjuna", "Bose and Gandhi", "Harishchandra and Chandramati", "the sepoys", "the red clothes sepoys" (British soldiers), and so on -- He would call and they would go on stage to pose for photographs with Him. He blessed lush red apples to be distributed to one and all. As if that were not enough, He personally distributed watches to each and every member of the 130 strong team that had made the presentation. As this distribution went on, each student interacted with Swami in his own way and Swami responded to every one of them and made them feel special. One of the students gave a golden ring to Swami and requested Him to put it on his finger. Swami smiled and obliged. All the students prayed that Swami visit the hostel and Swami said, "I will come". Then Swami asked for bhajans to be sung as He continued to distribute watches ensuring that He missed no one. The bhajans began and after two bhajans of vociferous and enthused singing, Swami received Aarthi. It was past 7:00 pm when He retired to Yajur Mandir. Click here to see pictures of the event. August 13, 2008 Every day spent in the presence of the Lord is something special to be remembered. Every day and in fact every moment, the Lord touches hearts, cleanses minds and uplifts spirits. On occasions when we get 'lucky' we see, hear or at least get to know how the dear Lord did these things. This Wednesday, turned out to be special not because Swami did anything that He does not always do, but because anyone with a little alertness could observe and admire what He did! Swami came for darshan at about 4:05 pm. The students' blocks appeared a little barren, since many of the boys were practising for a drama to be put up in His presence the next day. Swami moved slowly through the ladies section of the hall and then as He neared the central area, thousands of fingers on the gents side were crossed as all watched in anticipation whether Swami would proceed straight or take the now famous "square cut" detour. The sigh of joy and relief was almost audible as Swami moved through the central area into the gents side. He collected letters and blessed the ones assembled. He spoke to the youth members from West Bengal who had assembled. He blessed the programme that they had come ready with. Moving through the students, He blessed some of the boys holding trays and also collected letters from the boys. Then, Swami moved into the interview room after blessing Sri Rasagothra who was seated on a chair in the portico. After a few minutes, Swami came out and to the stage. He sat there as the Veda chanting went on. He called the boys who were holding trays. He blessed them by showering the sacred akshatha grains on their heads. To one student who went up, He said, "I blessed you in the lines right?" Another boy was so engrossed in Him and lost in the joy of receiving the 'rice shower' that he forgot that he had a letter for Him in the tray. Swami Himself reminded him to give the letter! He blessed about 14 students thus. Then He saw two boys seated with a tray full of "sacred threads". He called them and blessed them too. After a few more minutes, He went via the interview room to the ladies side. He moved slowly through them, speaking to many of them, giving padanamaskar and taking letters. He came once again towards the central blocks. But then, He asked to go back to where the youth from Bengal were seated. He spoke to them for some time and then even created a gold chain for one of the ladies. Then moving slowly along all the ladies seated on the mandir side also, Swami went into the interview room. Bhajans began at 5:10 pm and Aarthi was taken at 6:00pm. Copyright © 2005 - . Sri Sathya Sai Students. Share files, take polls, and make new friends - all under one roof. Quote Link to comment Share on other sites More sharing options...
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