Guest guest Posted March 20, 2009 Report Share Posted March 20, 2009 The voice is the external instrument of communication. Bhavana (internal emotional posture) is the internal instrument. To progress spiritually, reduce the first, increase the second. It is by means of bhavana that one makes contact with the deity denoted by a particular bija akshara. That is why before all slokas you have the section describing the deity (the energy), the bija (the frequency or key), the rishi (who conceived), the metre (the rythmic encoding of the message), etc. By adopting the proper bhavana, you establish a communications channel with that particular life-force or energy. Slokas are not just a sequence of words, they are doorways to the thought patterns and life force energies of the particular subject (deities) referred to by those slokas. Mantras (e.g., Om Namo Narayanaya, or Om Namah Shivaya) are shorter " keys " that unlock the bhavana of those particular deities. Those energies direct the thought patterns of a particular individual invoking them, and thus the person's thoughts become aligned with the particular deity invoked. This automatically invokes the spiritual evolvement of that individual guided by that particular deity's energies. It is not sufficient to repeat mantras and slokas mechanically (it is necessary, but not sufficient). One must understand the underlying bhavana of that particular stotram. To develop such bhavana, ekagratha (one-pointed concentration) is a pre-requisite. To chant mantras or slokas with the attention directed in 1000 different directions is a waste of time. You must have the intentional will to focus your mind in a given direction, come what may. Otherwise, you will not succeed in developing ekagratha. The force of will required to govern and direct the mind along a particular direction may be developed by abhyasa (constant practice). When once the will force is strong enough, the mind will naturally succumb to the intention of the individual, and behave without resistance. This is mental discipline. To assist devotees in developing their spiritual capacity to tune into the bhavana underlying a particular stotra or raaga, Sri Swamiji has composed numerous bhajans and other musical compositions, with appropriate accompaniments. Listen with rapt attention, and take note of the emotional context underlying those compositions. This is the purpose of reading the stories and listening to the bhajans associated with a particular deity - because they act together to develop the spiritual perception latent within the individual gradually over time. Once the spiritual perception is developed, the spiritual progress is then determined through internal processes, no longer dependent on external stimuli. The sadhaka has been turned inwards and will rest in this natural state of receptivity. The outward going mind increases the distracted state of the ego, while the inward turned mind increases the receptivity of the individual. As the mind becomes more inward, the personality becomes more attuned to nature's energies, responding like a finely tuned crystal. The spirit communes with spirit through the Anahata Chakra. This chakra, in the system of yoga, is physically correlated within the heart space of the body. It is from this center that one can tune into SatGuru, or any other life-force within the universe. The process of translating thoughts into bhavana is the outgoing message. While perfect receptivity through the development of the inner ear is made possible by perfecting the ability to listen with rapt attention. So again, the key is to listen, with rapt attention. Do not force any particular emotional states because you think that is how someone 'should' respond, you will be kidding yourself. Only a serious minded practitioner will have the internal honesty to reject false emotional states created on the surface by the ego and to accept only the real emotions that arise spontaneously. Just listen, and one day, the awareness will begin to mature on its own - like a fruit ripening on a tree and falling off. It is not a process that can be commanded, demanded, or forced. Maintaining silence, practicing active patience (subduing the ego's need for immediate results or responses), and a finely attuned inner awareness, are very important. You are ultimately responsible for yourself - knowing this, if you practice with seriousness, you will succeed. No one else can 'give' it to you - but you must 'want' it seriously to get results. To want it " seriously " you must have a proper world view of why it is important and how spiritual progress fits into your life. Without that, you won't have the motivation or the perseverance to see your practice through to the end. This means following all the basics like reading, reflecting, practicing at all times, and listening to SatGuru's words and so on. Worship of Ganapati will naturally lead the sadhaka to the state of receptivity (large fan like ears) and mental subtlety (mushika vahanam, i.e,. mouse vehicle). That is the Ganapati tattva afterall. Recall: Swamiji donated one of His ears to Ganapati. Jaya Guru Datta! --- Gurorangripadme ManaScenna Lagnam tata: kim! tata: kim! tata: kim! tata: kim!? Sarva Kartha, Sarva Dhartha, Sarva Hartha, Mangalam! Satchidananda, Satchidananda, Satchidananda Mangalam! Tasmai Sri Guru-murthaye Nama Idam Sri Dakshinamurtaye! Ata Nityo Narayanaha, Brahma Narayanaha, Sivascha Narayanaha, Kalascha Narayanaha. Disascha Narayanaha, Vidisascha Narayanaha, Urdwamscha Narayanaha, Adhascha Narayanaha, Antar-bahischa-Narayana.Narayana Eh Vedam Sarvam, Yat BhootamYacchha Bhavyam.Nish-kalango Niranjano Nirvikalpo Nirakyadhas,suddhho Deva Eko Narayanaha, Na dwiteeyosthi kaschit,ya evam Vedas Vishnu reva Bhavati, Sa Vishnureva Bhavathi, Etat yajur veda sirodeeyathe. ~*Om * Ayim * Hreem * Sreem * Siva * Rama * Anagha * Dattaya * Namaha*~ Quote Link to comment Share on other sites More sharing options...
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