'Narrating with Kuyil' and 'Look at the Job for which you have come'

[Guest guest]

Life of Sri Saadhu Om Swaamigal contd.

 

Then, Sri Swaamigal gave to Sri Bhagawan the paper containing the poetry which

he had composed under the title, 'Kuyil Vidu Thoodhu' [Message (being) sent by

Kuyil] ['Kuyil' is a bird, that sings sweetly], expressing the 'Divine Love' he

had for Sri Bhagawan in the mood of a 'Divine Consort', and started singing the

same in front of Sri Bhagawan.

 

But, on account of the spontaneous welling up of the Divine Emotions from

within, he could not complete the singing. Seeing the plight of His devotee, Sri

Bhagawan himself read the remaining songs, from the paper handed over to Him by

Sri Swaamigal, and changed by His Divine Hand, the 'title' of the song to

'Kuyilodu Kooral' ['Narrating' alongwith Kuyil].

 

He then asked Sri Swaamigal, to take the same to Sri Muruganaar who was then in

living in 'Palaakkotthu' [the name of a small dwelling region in the town of

Thiruvannaamalai, which name means, 'a group of of jack fruits, united in a

single branch']. This created a close bond between Sri Muruganaar and Sri

Swaamigal.

 

When in the afternoon on the same day, Sri Muruganaar came to have 'Dharshan' of

Sri Bhagawan, He cited the instance of Sri Swaamigal to Sri Muruganaar, with

reference to the conversation they had on the immediately preceding day, in

respect of the poets of the then period. The same day Sri Swaamigal composed

more songs under the titles, 'Vision', '(I) came, (my) Father!, and 'O,

Mother-Father(-in-one)!' and sang in front of Sri Bhagawan. This confirmed the

statement of Sri Bhagawan, in respect of the poetic ability spontatneously

springing up from within by 'Divine Grace'.

 

A couple of weeks later, Sri Swaamigal went to Thiruannaamalai, to have

'Dharshan' of Sri Bhagawan. Then, he went behind Sri Ramanaashram, to the

Arunaachalaa Hill and sat on a rock and was composing poems on Sri Bhagawan

under the title, 'Vetkai' [(Divine) Longing]. After composing the 7th poem

under the said title, he realised that the time for breakfast had arrived, and

started moving quickly towards the 'Dining Hall' in the Ashram.

 

He entered the 'Dining Hall' and seeing that Sri Bhagawan was eating there, he

sat, after moving a little away, in front of Sri Bhagawan, and started eating.

When Sri Bhagawan finished His breakfast, He got up from the seat. Now, seeing

Him get up, Sri Swaamigal also got up from his seat, although he was still

eating. Sri Bhagawan now showered His 'Benign Look' on Sri Swaamigal and

uttered the words, 'Vandha Velaiyaip Paar' (Look at the Job for which you have

come).

 

Now, Sri Swaamigal sat down. But, since he got up while eating, he was now

reluctant to continue eating. Now, Sri Bhagawan was, after washing His Hands,

going out alongside the 'Dining Hall'. Seeing that Sri Swaamigal was reluctant

to eat, he repeated the words, 'Vandha Velaiyaip Paar' (Look at the Job for

which you have come). Hearing these words, Sri Swaamigal started eating again.

 

Again, as Sri Bhagawan went near the entrance and was about to pass over the

'step' thereat, prompted by some inner feeling, Sri Swaamigal turned back and

looked at Sri Bhagawan. Now, Sri Bhagawan also looked at Sri Swaamigal and

uttered the same words, 'Vandha Velaiyaip Paar' (Look at the Job for which you

have come), for the third time in succession.

 

Now, Sri Swaamigal realised that the words were (MaaManichChol)

'Great-Gem-Words' signifying the instruction of Sri Bhagawan to Sri Swaamigal to

look at the job for which he was born in this world, and added this incident and

its inner significance, as the 8th poem in the series of poems he was composing

in the morning, under the title, 'Vetkai' [(Divine) Longing].