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Mon, 19 Dec 2005 07:02:50 -0800

Reflections in the Evening Land: The celebrated critic Harold

Bloom, despairing of contemporary America

 

 

 

In September, the US secretary of state Condoleezza Rice was quoted as

saying at Zion Church in Whistler, Alabama: " The

Lord Jesus Christ is going to come on time if we just wait. "

 

 

 

 

 

>> Reflections in the Evening Land

>>

 

>> The celebrated critic Harold Bloom, despairing of contemporary

America, turns to his bookshelves to understand the trajectory of his

country

>>

>> Harold Bloom

>> Guardian (UK)

>> Saturday December 17, 2005

>>

 

http://books.guardian.co.uk/departments/classics/story/0,6000,1669276,00.html

>>

>> Huey Long, known as " the Kingfish, " dominated the

>> state of Louisiana from 1928 until his

>> assassination in 1935, at the age of 42.

>> Simultaneously governor and a United States

>> senator, the canny Kingfish uttered a prophecy

>> that haunts me in this late summer of 2005, 70

>> years after his violent end: " Of course we will

>> have fascism in America but we will call it democracy! "

>>

>> I reflected on Huey Long (always mediated for me

>> by his portrait as Willie Stark in Robert Penn

>> Warren's novel, All the King's Men) recently,

>> when I listened to President George W Bush

>> addressing the Veterans of Foreign Wars in Salt

>> Lake City, Utah. I was thus benefited by Rupert

>> Murdoch's Fox TV channel, which is the voice of

>> Bushian crusading democracy, very much of the

>> Kingfish's variety. Even as Bush extolled his

>> Iraq adventure, his regime daily fuses more

>> tightly together elements of oligarchy, plutocracy, and theocracy.

>>

>> At the age of 75, I wonder if the Democratic

>> party ever again will hold the presidency or

>> control the Congress in my lifetime. I am not

>> sanguine, because our rulers have demonstrated

>> their prowess in Florida (twice) and in Ohio at

>> shaping voting procedures, and they control the

>> Supreme Court. The economist-journalist Paul

>> Krugman recently observed that the Republicans

>> dare not allow themselves to lose either Congress

>> or the White House, because subsequent

>> investigations could disclose dark matters

>> indeed. Krugman did not specify, but among the

>> profiteers of our Iraq crusade are big oil (House

>> of Bush/House of Saud), Halliburton (the

>> vice-president), Bechtel (a nest of mighty Republicans) and so forth.

>>

>> All of this is extraordinarily blatant, yet the

>> American people seem benumbed, unable to read,

>> think, or remember, and thus fit subjects for a

>> president who shares their limitations. A grumpy

>> old Democrat, I observe to my friends that our

>> emperor is himself the best argument for

>> intelligent design, the current theocratic

>> substitute for what used to be called

>> creationism. Sigmund Freud might be chagrined to

>> discover that he is forgotten, while the satan of

>> America is now Charles Darwin. President Bush,

>> who says that Jesus is his " favourite

>> philosopher " , recently decreed in regard to

>> intelligent design and evolution: " Both sides ought to be properly

taught. "

>>

>> I am a teacher by profession, about to begin my

>> 51st year at Yale, where frequently my subject is

>> American writers. Without any particular

>> competence in politics, I assert no special

>> insight in regard to the American malaise. But I

>> am a student of what I have learned to call the

>> American Religion, which has little in common

>> with European Christianity. There is now a parody

>> of the American Jesus, a kind of Republican CEO

>> who disapproves of taxes, and who has widened the

>> needle's eye so that camels and the wealthy pass

>> readily into the Kingdom of Heaven. We have also

>> an American holy spirit, the comforter of our

>> burgeoning poor, who don't bother to vote. The

>> American trinity pragmatically is completed by an

>> imperial warrior God, trampling with shock and awe.

>>

>> These days I reread the writers who best define

>> America: Emerson, Hawthorne, Whitman, Melville,

>> Mark Twain, Faulkner, among others. Searching

>> them, I seek to find what could suffice to

>> explain what seems our national

>> self-destructiveness. DH Lawrence, in his Studies

>> in Classic American Literature (1923), wrote what

>> seems to me still the most illuminating criticism

>> of Walt Whitman and Herman Melville. Of the two,

>> Melville provoked no ambivalence in Lawrence. But

>> Whitman transformed Lawrence's poetry, and

>> Lawrence himself, from at least 1917 on.

>> Replacing Thomas Hardy as prime precursor,

>> Whitman spoke directly to Lawrence's vitalism,

>> immediacy, and barely evaded homoeroticism. On a

>> much smaller scale, Whitman earlier had a similar

>> impact on Gerard Manley Hopkins. Lawrence,

>> frequently furious at Whitman, as one might be

>> with an overwhelming father, a King Lear of

>> poetry, accurately insisted that the Americans

>> were not worthy of their Whitman. More than ever,

>> they are not, since the Jacksonian democracy that

>> both Whitman and Melville celebrated is dying in our Evening Land.

>>

>> What defines America? " Democracy " is a ruined

>> word, because of its misuse in the American

>> political rhetoric of our moment. If Hamlet and

>> Don Quixote, between them, define the European

>> self, then Captain Ahab and " Walt Whitman " (the

>> persona, not the man) suggest a very different

>> self from the European. Ahab is Shakespearean,

>> Miltonic, even Byronic-Shelleyan, but his

>> monomaniacal quest is his own, and reacts against

>> the Emersonian self, just as Melville's beloved

>> Hawthorne recoiled also. Whitman, a more positive

>> Emersonian, affirms what the Sage of Concord

>> called self-reliance, the authentic American

>> religion rather than its Bushian parodies. Though

>> he possesses a Yale BA and honorary doctorate,

>> our president is semi-literate at best. He once

>> boasted of never having read a book through, even

>> at Yale. Henry James was affronted when he met

>> President Theodore Roosevelt; what could he have made of George W Bush?

>>

>> Having just reread James's The American Scene

>> (1907), I amuse myself, rather grimly, by

>> imagining the master of the American novel

>> touring the United States in 2005, exactly a

>> century after his return visit to his homeland.

>> Like TS Eliot in the next generation, James was

>> far more at home in London than in America, yet

>> both retained an idiom scarcely English. They

>> each eventually became British subjects, graced

>> by the Order of Merit, but Whitman went on

>> haunting them, more covertly in Eliot's case. The

>> Waste Land initially was an elegy for Jean

>> Verdenal, who had been to Eliot what Rupert

>> Brooke was to Henry James. Whitman's " Lilacs "

>> elegy for Lincoln became James's favourite poem,

>> and it deeply contaminates The Waste Land.

>>

>> I am not suggesting that the American aesthetic

>> self is necessarily homoerotic: Emerson,

>> Hawthorne, Mark Twain, Faulkner, Robert Frost

>> after all are as representative as are Melville,

>> Whitman and Henry James. Nor does any American

>> fictive self challenge Hamlet as an ultimate

>> abyss of inwardness. Yet Emerson bet the American

>> house (as it were) on self-reliance, which is a

>> doctrine of solitude. Whitman, as person and as

>> poetic mask, like his lilacs, bloomed into a

>> singularity that cared intensely both about the

>> self and others, but Emersonian consciousness all

>> too frequently can flower, Hamlet-like, into an

>> individuality indifferent both to the self and to

>> others. The United States since Emerson has been

>> divided between what he called the " party of

>> hope " and the " party of memory " . Our

>> intellectuals of the left and of the right both claim Emerson as

ancestor.

>>

>> In 2005, what is self-reliance? I can recognise

>> three prime stigmata of the American religion:

>> spiritual freedom is solitude, while the soul's

>> encounter with the divine (Jesus, the Paraclete,

>> the Father) is direct and personal, and, most

>> crucially, what is best and oldest in the

>> American religionist goes back to a

>> time-before-time, and so is part or particle of

>> God. Every second year, the Gallup pollsters

>> survey religion in the United States, and report

>> that 93% of us believe in God, while 89% are

>> certain that God loves him or her on a personal

>> basis. And 45% of us insist that Earth was

>> created precisely as described in Genesis and is

>> only about 9,000 or fewer years old. The actual

>> figure is 4.5 billion years, and some dinosaur

>> fossils are dated as 190 million years back.

>> Perhaps the intelligent designers, led by George

>> W Bush, will yet give us a dinosaur Gospel,

>> though I doubt it, as they, and he, dwell within

>> a bubble that education cannot invade.

>>

>> Contemporary America is too dangerous to be

>> laughed away, and I turn to its most powerful

>> writers in order to see if we remain coherent

>> enough for imaginative comprehension. Lawrence

>> was right; Whitman at his very best can sustain

>> momentary comparison with Dante and Shakespeare.

>> Most of what follows will be founded on Whitman,

>> the most American of writers, but first I turn

>> again to Moby-Dick, the national epic of

>> self-destructiveness that almost rivals Leaves of

>> Grass, which is too large and subtle to be judged

>> in terms of self-preservation or apocalyptic destructiveness.

>>

>> Some of my friends and students suggest that Iraq

>> is President Bush's white whale, but our leader

>> is absurdly far from Captain Ahab's aesthetic

>> dignity. The valid analogue is the Pequod; as

>> Lawrence says: " America! Then such a crew.

>> Renegades, castaways, cannibals, Ishmael,

>> Quakers, " and South Sea Islanders, Native

>> Americans, Africans, Parsees, Manxmen, what you

>> will. One thinks of our tens of thousands of

>> mercenaries in Iraq, called " security employees "

>> or " contractors " . They mix former American

>> Special Forces, Gurkhas, Boers, Croatians,

>> whoever is qualified and available. What they

>> lack is Captain Ahab, who could give them a metaphysical dimension.

>>

>> Ahab carries himself and all his crew (except

>> Ishmael) to triumphant catastrophe, while

>> Moby-Dick swims away, being as indestructible as

>> the Book of Job's Leviathan. The obsessed

>> captain's motive ostensibly is revenge, since

>> earlier he was maimed by the white whale, but his

>> truer desire is to strike through the universe's

>> mask, in order to prove that while the visible

>> world might seem to have been formed in love, the

>> invisible spheres were made in fright. God's

>> rhetorical question to Job: " Can'st thou draw out

>> Leviathan with a hook? " is answered by Ahab's:

>> " I'd strike the sun if it insulted me! " The

>> driving force of the Bushian-Blairians is greed,

>> but the undersong of their Iraq adventure is

>> something closer to Iago's pyromania. Our leader, and yours, are

firebugs.

>>

>> One rightly expects Whitman to explain our

>> Evening Land to us, because his imagination is

>> America's. A Free-Soiler, he opposed the Mexican

>> war, as Emerson did. Do not our two Iraq

>> invasions increasingly resemble the Mexican and

>> Spanish-American conflicts? Donald Rumsfeld

>> speaks of permanent American bases in Iraq,

>> presumably to protect oil wells. President Bush's

>> approval rating was recently down to 38%, but I

>> fear that this popular reaction has more to do

>> with the high price of petrol than with any outrage at our Iraq

crusade.

>>

>> What has happened to the American imagination if

>> we have become a parody of the Roman empire? I

>> recall going to bed early on election night in

>> November 2004, though friends kept phoning with

>> the hopeful news that there appeared to be some

>> three million additional voters. Turning the

>> phone off, I gloomily prophesied that these were

>> three million Evangelicals, which indeed was the case.

>>

>> Our politics began to be contaminated by

>> theocratic zealots with the Reagan revelation,

>> when southern Baptists, Mormons, Pentecostals,

>> and Adventists surged into the Republican party.

>> The alliance between Wall Street and the

>> Christian right is an old one, but has become

>> explicit only in the past quarter century. What

>> was called the counter-culture of the late 1960s

>> and 70s provoked the reaction of the 80s, which

>> is ongoing. This is all obvious enough, but

>> becomes subtler in the context of the religiosity

>> of the country, which truly divides us into two

>> nations. Sometimes I find myself wondering if the

>> south belatedly has won the civil war, more than

>> a century after its supposed defeat. The leaders

>> of the Republican party are southern; even the

>> Bushes, despite their Yale and Connecticut

>> tradition, were careful to become Texans and

>> Floridians. Politics, in the United States,

>> perhaps never again can be separated from

>> religion. When so many vote against their own

>> palpable economic interests, and choose " values "

>> instead, then an American malaise has replaced the American dream.

>>

>> Whitman, still undervalued as a poet, in relation

>> to his astonishing aesthetic power, remains the

>> permanent prophet of our party of hope. That

>> seems ironic in many ways, since the crucial

>> event of Whitman's life was our civil war, in

>> which a total of 625,000 men were slain, counting

>> both sides. In Britain, the " great war " is the

>> first world war, because nearly an entire

>> generation of young men died. The United States

>> remains haunted by the civil war, the central

>> event in the life of the nation since the

>> Declaration of Independence. David S Reynolds,

>> the most informed of Whitman's biographers,

>> usefully demonstrates that Whitman's poetry, from

>> 1855-60, was designed to help hold the Union

>> together. After the sunset glory of " When Lilacs

>> Last in the Dooryard Bloom'd " , the 1865 elegy

>> overtly for Abraham Lincoln, and inwardly for

>> Whitman's poetic self-identity, something burned

>> out in the bard of Leaves of Grass. Day after

>> day, for several years, he had exhausted himself,

>> in the military hospitals of Washington DC,

>> dressing wounds, reading to, and writing letters

>> for, the ill and maimed, comforting the dying.

>> The extraordinary vitalism and immediacy departed

>> from his poetry. It is as though he had

>> sacrificed his own imagination on the altar of

>> those martyred, like Lincoln, in the fused cause of union and

emancipation.

>>

>> Whitman died in 1892, a time of American politics

>> as corrupt as this, if a touch less blatant than

>> the era of Bushian theocracy. But there was a

>> curious split in the poet of Leaves of Grass,

>> between what he called the soul, and his " real

>> me " or " me myself " , an entity distinct from his

>> persona, " Walt Whitman, one of the roughs, an American " :

>>

>> " I believe in you my soul, the other I am must not abase itself

to you,

>> And you must not be abased to the other. "

>>

>> The rough Walt is the " I " here, and has been

>> created to mediate between his character or soul,

>> and his real me or personality. I fear that this

>> is permanently American, the abyss between

>> character and personality. Doubtless, this can be

>> a universal phenomenon: one thinks of Nietzsche

>> and of WB Yeats. And yet mutual abasement between

>> soul and self destroys any individual's

>> coherence. My fellow citizens who vote for

>> " values " , against their own needs, manifest something of the same

dilemma.

>>

>> As the persona " Walt Whitman " melted away in the

>> furnace of national affliction in the civil war,

>> it was replaced by a less capable persona, " the

>> Good Grey Poet " . No moral rebirth kindled postwar

>> America; instead Whitman witnessed the

>> extraordinary corruption of President US Grant's

>> administration, which is the paradigm emulated by

>> so many Republican presidencies, including what we suffer at this

moment.

>>

>> Whitman himself became less than coherent in his

>> long decline, from 1866 to 1892. He did not ice

>> over, like the later Wordsworth, but his

>> prophetic stance ebbed away. Lost, he ceased to

>> be an Emersonian, and rather weirdly attempted to

>> become a Hegelian! In " The Evening Land " , an

>> extraordinary poem of early 1922, DH Lawrence

>> anticipated his long-delayed sojourn in America,

>> which began only in September of that year, when

>> he reached Taos, New Mexico. He had hoped to

>> visit the United States in February 1917, but

>> England denied him a passport. Lawrence's poem is

>> a kind of Whitmanian love-hymn to America, but is

>> even more ambivalent than the chapter on Whitman

>> in Studies in Classic American Literature.

>>

>> " Are you the grave of our day? " Lawrence asks,

>> and begs America to cajole his soul, even as he

>> admits how much he fears the Evening Land:

>>

>> " Your more-than-European idealism,

>> Like a be-aureoled bleached skeleton hovering

>> Its cage-ribs in the social heaven, beneficent. "

>>

>> This rather ghastly vision is not inappropriate

>> to our moment, nor is Lawrence's bitter conclusion:

>>

>> " 'These States!' as Whitman said,

>> Whatever he meant. "

>>

>> What Whitman meant (as Lawrence knew) was that

>> the United States itself was to be the greatest

>> of poems. But with that grand assertion, I find

>> myself so overwhelmed by an uncomfortable sense

>> of irony, that I cease these reflections. Shelley

>> wore a ring, on which was inscribed the motto:

>> " The good time will come. " In September, the US

>> secretary of state Condoleezza Rice was quoted as

>> saying at Zion Church in Whistler, Alabama: " The

>> Lord Jesus Christ is going to come on time if we just wait. "

>>

>> © Harold Bloom 2005

>>

>>

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