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Basava - The pot is a God. The winnowing

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A Bhakti poem sent by Ivan. His notes are at the foot.

 

>

> The pot is a God. The winnowing

>

> By Basava

>

>

> (1134 - 1196)

>

> English version by A. K. Ramanujan

>

>

>

> The pot is a God. The winnowing

>

> fan is a God. The stone in the

>

> street is a God. The comb is a

>

> God. The bowstring is also a

>

> God. The bushel is a God and the

>

> spouted cup is a God.

>

>

>

> Gods, gods, there are so many

>

> there’s no place left

>

> for a foot.

>

> There is only

>

> one God. He is our Lord

>

> of the Meeting Rivers.

>

>

>

> -- from Speaking of Siva, by A K Ramanujan

> Amazon.com

>

> / Photo by Chor Ip /

>

>

> ============

>

> Thought for the Day:

>

> Always better to know

>

> than to believe

> ============

>

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> Hi Alan -

>

>

>

> I love this poem. I first found it in Georg

> Feuerstein's mammoth book on the Yoga Tradition, and

> then later in A. K. Ramanujan's Speaking of Siva.

> It's one of those simple, yet powerful poems that rings

> in the back of my mind.

>

>

>

> Gods, gods, there are so many

>

> there’s no place left

>

> for a foot.

>

>

>

> Makes you want to take every step carefully.

>

>

>

> Turns each walk into a prayer. The placing of each foot on

> the ground, the touching of every object becomes divine

> contact.

>

>

>

> --

>

>

>

> Basava, sometimes referred to reverently as Basavanna or

> Basaveshwara, was a twelfth century devotee of Shiva and

> early organizer of the Virasaiva Lingayata sect in the

> Kannada-speaking regions of southern India.

>

>

>

> The Virasaivas were a Shiva bhakti movement that rejected

> the elaborate ritualism and strict caste system of orthodox

> Hinduism which favored the wealthy, and instead emphasized

> direct mystical experience available to all through deep

> devotion to God. In this sense, the Virasaiva movement was

> a mystical protestant movement that also asserted social

> equality and justice for the poor. As Lingayatas they

> worship Shiva in the form of a linga, the stone symbol that

> represents God as creative generator of the universe or,

> more deeply, as a representation of the Formless taking

> form.

>

>

>

> Basavanna was orphaned at a young age but adopted by a

> wealthy family with political connections. He received a

> good education but rejected a life of comfort and prestige

> to become a wandering ascetic dedicated to Shiva.

>

>

>

> He received enlightenment at a sacred meeting of rivers.

> This is why all of Basavanna's poems include a reference

> to Shiva as " the lord of the meeting rivers. "

> This also has a deeper, esoteric meaning relating to the

> subtle energies awakened in the yogi's awareness.

>

>

>

> However, he soon was given a divine command to return to

> worldly life. Basavanna initially resisted, but eventually

> yielded and returned to his adopted family. Before long he

> attained high political office while, simultaneously,

> forming the new populist mystical movement of Virasaivas

> into a coherent, egalitarian community. This community

> fostered many other great poet-saints, including Akka

> Mahadevi and Allama Prabhu.

>

>

>

>

>

> Have a beautiful day!

>

>

>

> Ivan

> Share Your Thoughts on today's poem or my commentary...

>

>

>

>

> New on the Poetry Chaikhana Blog

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> In addition to the daily poem, other recent

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> Stork Migrations and Reading a Poem -

> Comments (2) I just returned from a walk along the shore of

> a nearby lake. Eight majestic white wood storks were

> drifting along the surface, then, at some mutually agreed

> upon signal, they took off one after the other, reaching out

> for full wingspan, and rising up in an ascending, orderly

> line to the sky.

>

> Watching them, I thought, “Reading a poem is like

> this.†More

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Ivan

> M. Granger's original poetry, stories and

> commentaries are Copyright

> 2002 - 2008 by Ivan M. Granger.

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