Guest guest Posted September 2, 2008 Report Share Posted September 2, 2008 Hi Paula, > This is why , this painting is the most celebrated female painting in the world..< Thank you for your reply ~ I was very fortunate to be at the Louvre and standing right in front of the Mona Lisa ~ it is quite breathtaking. > I have much more information about the > composition, if you'd like me to continue further, and masonic > alchemical code analysis, because as we know Leonardo was a member > of the Priory of Sion, Ormus. < Yes, please continue ~ your post is very interesting and would love to hear the Masonic alchemical code analysis. Kind regards...Angelina , " alayafire " <ari.reza wrote: > > Hi Gypsy , look at the painting of Leonardo's Mona Lisa... > It depicts what I said perfectly. > > Look at the hands placed one above the other .They are in the > position of the sol anima. This means a joining of the sun and > moon , the left and right brain, the male and the female,the > positive and the negative. > > > > Kundalini-Awakening-Systems- > 1 , " gypsyeyes_101 " <gypsyeyes_101@> wrote: > > > > > but the alchemy occurs when you put the 2 together. > > the male + female = god! > > right brain + left brain = transcendance! < > > > > ??? > Quote Link to comment Share on other sites More sharing options...
Guest guest Posted September 2, 2008 Report Share Posted September 2, 2008 Yes, please continue ~ your post is very interesting and would > love to hear the Masonic alchemical code analysis. Kind regards...Angelina Hi Angelina , I to have viewed sHE sHE sparked my inagination as does the pyramid! Its, 3am here so forgive my usual bleary eyed typos ... more phew , here goes.. An extremely old method used for encoding , intentional messages into artistic compositions is khabbalistic exegesis called gematria, (it's not numerology.) Gematria is useful because it deals with words that have numeric values (read measures), and relates similar values to similar meanings .. If we use simple Masonic code (A=1, B=2, ... , Z=26) and calculate the famous title of the painting a value of 84 is obtained: MONA LISA = (13+15+14+1) + (12+9+19+1) = 84. Another name for the painting is also La Gioconda, or as a variant LA GIOCCONDA, which has the same gematric value: LA GIOCCONDA = (12+1) + (7+9+15+3+3+15+14+4+1) = 84 remember we spoke about the head / face being the vestica of pisces, well if we draw a circle around the face,and hairline we arrive at the module of measurement used by Leonardo. COMPOSITION of the entire canvas.. circumference of rectangle = 2 x (18+24) = 84 The above gematric speculations are amplified by the composition of circles that rule the proportions of the portrayed. If the width of the painting is considered as 1 Venetian cubit, then three circles and four circles in height equal 18 and 24 oncia respectively. The circumference of this rectangle 18 : 24, enclosing the figure is again concealing the number 84: circumference = 2 x (18+24) = 84 This number really seems to be of extraordinary importance for this painting, no wonder since it is also a number that unveils the master himself: LEONARDO = 12+5+15+14+1+18+4+15 = 84! If one third of the circle, that outlines the composition, is taken for a module , the ratio of rectangle that defines the figure is 9 / 12. Both numbers are symbols for previously mentioned antinomies, for number 9 symbolizes Moon, and 12 stands for Sun. This number is also the number of '12 compositional circles' that could parallel 12 zodiacal signs through which Sun traverses. This traditional symbolism is also recorded by Agrippa in De Occulta Philosophia. Heres a link , hope it works http://www.esotericarchives.com/agrippa/home.htm (... The number nine belongs to the Moon, the utmost receptacle of all Celestiall influences, and vertues, as also it is dedicated to the nine Muses, as also to Mars, from whom is the end of all things. The number ten is Circular, and belongs to the Sun, after the same manner as unity; also it is attributed to Janus, because it is the end of the first order, and from whence begins the second unity; it is also ascribed to the world. In like manner the number twelve, because the Sun going round twelve signs, distributes the year into twelve months, is attributed to the world, the Heaven, and the Sun ... this is an excert from the Agrippa, de occulta philosophia....) oh no I still have tibetans to do..aughh goodnight all love Paula... Quote Link to comment Share on other sites More sharing options...
Guest guest Posted September 2, 2008 Report Share Posted September 2, 2008 Thank you Paula ~ Sweet Dreams! , " alayafire " <ari.reza wrote: > > Yes, please continue ~ your post is very interesting and would > > love to hear the Masonic alchemical code analysis. > Kind regards...Angelina > > > > Hi Angelina , I to have viewed sHE sHE sparked my inagination as > does the pyramid! Its, 3am here so forgive my usual > bleary eyed typos ... > > more phew , here goes.. > > An extremely old method used for encoding , intentional messages > into artistic compositions > is khabbalistic exegesis called gematria, (it's not numerology.) > Gematria is useful > because it deals with words that have numeric values (read > measures), and relates similar values to similar meanings > . If we use simple Masonic code (A=1, B=2, ... , Z=26) and calculate > the famous title of the painting a value of 84 is obtained: > > MONA LISA = (13+15+14+1) + (12+9+19+1) = 84. > Another name for the painting is also La Gioconda, or as a variant > LA GIOCCONDA, which has the same gematric value: > LA GIOCCONDA = (12+1) + (7+9+15+3+3+15+14+4+1) = 84 > > remember we spoke about the head / face being the vestica of pisces, > well if we draw a circle around the face,and hairline > we arrive at the module of measurement used by Leonardo. > > COMPOSITION of the entire canvas.. > circumference of rectangle = 2 x (18+24) = 84 > The above gematric speculations are amplified by the composition of > circles that rule the proportions of the portrayed. > If the width of the painting is considered as 1 Venetian cubit, > then three circles and four circles in height equal 18 and 24 > oncia respectively. The circumference of this rectangle 18 : 24, > enclosing the figure is again concealing the number 84: > circumference = 2 x (18+24) = 84 > This number really seems to be of extraordinary importance for this > painting, no wonder since it is also a number that > unveils the master himself: > LEONARDO = 12+5+15+14+1+18+4+15 = 84! > > If one third of the circle, that outlines the composition, is taken > for a module , the ratio of rectangle that defines > the figure is 9 / 12. Both numbers are symbols for previously > mentioned antinomies, for number 9 symbolizes Moon, and 12 > stands for Sun. This number is also the number of '12 compositional > circles' that could parallel 12 zodiacal signs through which > Sun traverses. This traditional symbolism is also recorded by > Agrippa in De Occulta Philosophia. Heres a link , hope it works > > http://www.esotericarchives.com/agrippa/home.htm > > (... The number nine belongs to the Moon, the utmost receptacle of > all Celestiall influences, and vertues, > as also it is dedicated to the nine Muses, as also to Mars, from > whom is the end of all things. > The number ten is Circular, and belongs to the Sun, after the same > manner as unity; also it is attributed to Janus, > because it is the end of the first order, and from whence begins > the second unity; it is also ascribed to the world. > In like manner the number twelve, because the Sun going round twelve > signs, distributes the year into twelve months, > is attributed to the world, the Heaven, and the Sun ... this is an > excert from the Agrippa, de occulta philosophia....) > > oh no I still have tibetans to do..aughh > goodnight all > love Paula... > Quote Link to comment Share on other sites More sharing options...
Guest guest Posted September 4, 2008 Report Share Posted September 4, 2008 I recall a few years ago some computer experts with face-recognition software did an analysis on the Mona Lisa and a comparison of a self-portrait by Leonardo and they came to the definitive conclusion that it is indeed Leonardo in drag. I recall they did an animation of the two portraits over each other and all the critical points lined up perfectly. I can't seem to find this analysis online anywhere, but there is a lot of speculation about it. Brandi Quote Link to comment Share on other sites More sharing options...
Guest guest Posted September 4, 2008 Report Share Posted September 4, 2008 wow Brandi thanks:) you can see the facial similarity.. paula , Brandi Jasmine <jazztalk wrote: > > I recall a few years ago some computer experts with face-recognition software did an analysis on the Mona Lisa and a comparison of a self- portrait by Leonardo and they came to the definitive conclusion that it is indeed Leonardo in drag. I recall they did an animation of the two portraits over each other and all the critical points lined up perfectly. I can't seem to find this analysis online anywhere, but there is a lot of speculation about it. > > Brandi > Quote Link to comment Share on other sites More sharing options...
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