Great Quotes by G.K. Chesterton

[Gauracandra]

These aren't jokes, but I figured a list of quotations probably fits best here.

 

"One of the chief uses of religion is that it makes us remember our coming from darkness, the simple fact that we are created."

 

"It has been often said, very truely, that religion is the thing that makes the ordinary man feel extraordinary; it is an equally important truth that religion is the thing that makes the extraordinary man feel ordinary."

 

"Civilization has run on ahead of the soul of man, and is producing faster than he can think and give thanks."

 

"All men thirst to confess their crimes more than tired beasts thirst for water; but they naturally object to confessing them while other people, who have also committed the same crimes, sit by and laugh at them."

 

"To the humble man, and to the humble man alone, the sun is really a sun; to the humble man, and to the humble man alone, the sea is really a sea."

 

"Great truths can only be forgotten and can never be falsified."

 

"All science, even the divine science, is a sublime detective story. Only it is not set to detect why a man is dead; but the darker secret of why he is alive."

 

"If we want to give poor people soap we must set out deliberately to give them luxuries. If we will not make them rich enough to be clean, then empathically we must do what we did with the saints. We must reverence them for being dirty."

 

"In the struggle for existence, it is only on those who hang on for ten minutes after all is hopeless, that hope begins to dawn."

 

"The act of defending any of the cardinal virtues has today all the exhilaration of a vice."

 

"Fallacies do not cease to be fallacies because they become fashions."

 

"Among the rich you will never find a really generous man even by accident. They may give their money away, but they will never give themselves away; they are egotistic, secretive, dry as old bones. To be smart enough to get all that money you must be dull enough to want it."

 

"The simplification of anything is always sensational."

 

"I believe what really happens in history is this: the old man is always wrong; and the young people are always wrong about what is wrong with him. The practical form it takes is this: that, while the old man may stand by some stupid custom, the young man always attacks it with some theory that turns out to be equally stupid."

 

"The person who is really in revolt is the optimist, who generally lives and dies in a desperate and suicidal effort to persuade other people how good they are."

 

"When we step into the family, by the act of being born, we do step into a world which is incalculable, into a world which has its own strange laws, into a world which could do without us, into a world we have not made. In other words, when we step into the family we step into a fairy-tale."

 

"He is a very shallow critic who cannot see an eternal rebel in the heart of a conservative."

 

"I have formed a very clear conception of patriotism. I have generally found it thrust into the foreground by some fellow who has something to hide in the background. I have seen a great deal of patriotism; and I have generally found it the last refuge of the scoundrel."

 

"There cannot be a nation of millionaires, and there never has been a nation of Utopian comrades; but there have been any number of nations of tolerably contented peasants.”

 

"The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected."

 

"The modern city is ugly not because it is a city but because it is not enough of a city, because it is a jungle, because it is confused and anarchic, and surging with selfish and materialistic energies."

 

"Self-denial is the test and definition of self-government."

 

"The whole pleasure of marriage is that it is a perpetual crisis."

 

"Women have a thirst for order and beauty as for something physical; there is a strange female power of hating ugliness and waste as good men can only hate sin and bad men virtue."

 

"Art, like morality, consists of drawing the line somewhere."

 

"The decay of society is praised by artists as the decay of a corpse is praised by worms."

 

"There are two ways of getting home; and one of them is to stay there."

 

"Only friendliness produces friendship. And we must look far deeper into the soul of man for the thing that produces friendliness."

 

"The average businessman began to be agnostic, not so much because he did not know where he was, as because he wanted to forget. Many of the rich took to scepticism exactly as the poor took to drink; because it was a way out."

 

"Moderns have not the moral courage, as a rule, to avow the sincere spiritual bias behind their fads; they become insincere even about their sincerity. Most modern liberality consists of finding irreligious excuses for religious bigotry. The earlier type of bigot pretended to be more religious than he really was. The later type pretends to be less religious than he really is. He does not wear a mask of piety, but rather a mask of impiety - or, at any rate, of indifference."

[krsna]

"Who is this guy and why haven’t I heard of him?"

by Dale Ahlquist

 

President

 

American Chesterton Society

 

I’ve heard the question more than once. It is asked by people who have just started to discover G.K. Chesterton. They have begun reading a Chesterton book, or perhaps have seen an issue of Gilbert! Magazine, or maybe they’ve only encountered a series of pithy quotations that marvelously articulate some forgotten bit of common sense. They ask the question with a mixture of wonder, gratitude and . . . resentment. They are amazed by what they have discovered. They are thankful to have discovered it. And they are almost angry that it has taken so long for them to make the discovery.

 

"Who is this guy. . .?"

 

Gilbert Keith Chesterton (1874-1936) cannot be summed up in one sentence. Nor in one paragraph. In fact, in spite of the fine biographies that have been written of him, he has never been captured between the covers of one book. But rather than waiting to separate the goats from the sheep, let’s just come right out and say it: G.K. Chesterton was the best writer of the 20th century. He said something about everything and he said it better than anybody else. But he was no mere wordsmith. He was very good at expressing himself, but more importantly, he had something very good to express. The reason he was the greatest writer of the 20th century was because he was also the greatest thinker of the 20th century.

 

Born in London, Chesterton was educated at St. Paul’s, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.’s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you’re not impressed, try it some time. But they have to be good essays - all of them – as funny as they are serious, and as readable and rewarding a century after you’ve written them.)

 

Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away papers.

 

This man who composed such profound and perfect lines as "The Christian ideal has not been tried and found wanting; it has been found difficult and left untried," stood 6’4" and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying, "Am at Market Harborough. Where ought I to be?" His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple’s surrogate daughter, and went on to become the writer’s literary executrix, continuing to make his work available after his death.

 

This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, this was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mohandas Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas, had his secretary check out a stack of books on St. Thomas from the library, opened the top book on the stack, thumbed through it, closed it, and proceeded to dictate a book on St. Thomas. Not just any book. The renowned Thomistic scholar, Ettienne Gilson, had this to say about it:

 

 

"I consider it as being without possible comparison the best book ever written on St. Thomas. Nothing short of genius can account for such an achievement. Everybody will no doubt admit that it is a 'clever' book, but the few readers who have spent twenty or thirty years in studying St. Thomas. . . cannot fail to perceive that the so-called 'wit' of Chesterton has put their scholarship to shame. He has guessed all that which we had tried to demonstrate, and he has said all that which they were more or less clumsily attempting to express in academic formulas. Chesterton was one of the deepest thinkers who ever existed; he was deep because he was right; and he could not help being right; but he could not either help being modest and charitable, so he left it to those who could understand him to know that he was right, and deep; to the others, he apologized for being right, and he made up for being deep by being witty. That is all they can see of him."

 

Chesterton debated many of the celebrated intellectuals of his time: George Bernard Shaw, H.G. Wells, Bertrand Russell, Clarence Darrow. According to contemporary accounts, Chesterton usually emerged as the winner of these contests, however, the world has immortalized his opponents and forgotten Chesterton, and now we hear only one side of the argument, and we are enduring the legacies of socialism, relativism, materialism, and skepticism. Ironically, all of his opponents regarded Chesterton with the greatest affection. And George Bernard Shaw said: "The world is not thankful enough for Chesterton."

 

His writing has been praised by Ernest Hemingway, Graham Greene, Evelyn Waugh, Jorge Luis Borges, Gabriel Garcia Marquez, Karel Capek, Marshall McLuhan, Paul Claudel, Dorothy L. Sayers, Agatha Christie, Sigrid Undset, Ronald Knox, Kingsley Amis, W.H. Auden, Anthony Burgess, E.F. Schumacher, Neil Gaiman, and Orson Welles. To name a few.

 

T.S. Eliot said that Chesterton "deserves a permanent claim on our loyalty."

 

 

 

". . . and why haven’t I heard of him?

 

 

 

Why haven’t you heard of him?

 

There are three answers to this question:

 

I don’t know.

You’ve been cheated.

Chesterton is the most unjustly neglected writer of our time. Perhaps it is proof that education is too important to be left to educators and that publishing is too important to be left to publishers, but there is no excuse why Chesterton is no longer taught in our schools and why his writing is not more widely reprinted and especially included in college anthologies. Well, there is an excuse. It seems that Chesterton is tough to pigeonhole, and if a writer cannot be quickly consigned to a category, or to one-word description, he risks falling through the cracks. Even if he weighs three hundred pounds.

But there is another problem. Modern thinkers and commentators and critics have found it much more convenient to ignore Chesterton rather than to engage him in an argument, because to argue with Chesterton is to lose.

 

Chesterton argued eloquently against all the trends that eventually took over the 20th century: materialism, scientific determinism, moral relativism, and spineless agnosticism. He also argued against both socialism and capitalism and showed why they have both been the enemies of freedom and justice in modern society.

 

And what did he argue for? What was it he defended? He defended "the common man" and common sense. He defended the poor. He defended the family. He defended beauty. And he defended Christianity and the Catholic Faith. These don’t play well in the classroom, in the media, or in the public arena. And that is probably why he is neglected. The modern world prefers writers who are snobs, who have exotic and bizarre ideas, who glorify decadence, who scoff at Christianity, who deny the dignity of the poor, and who think freedom means no responsibility.

 

But even though Chesterton is no longer taught in schools, you cannot consider yourself educated until you have thoroughly read Chesterton. And furthermore, thoroughly reading Chesterton is almost a complete education in itself. Chesterton is indeed a teacher, and the best kind. He doesn’t merely astonish you. He doesn’t just perform the wonder of making you think. He goes beyond that. He makes you laugh.