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Having trouble finding "the brilliant lotus in the head"? (GG vs.95)

Well, perhaps this practice will help.

 

This is a practice called bhuta shuddhi, or purification of the

elements. In it, one repeats the bija of each chakra in succession,

purifying it and its associated nadis.

 

This practice energizes each chakra in succession, leading the prana

higher and higher, balancing the system, and opening the door to the

experience of that consciousness peculiar to each chakra.

 

Now, the bijas are lam, vam, ram, yam, ham, and om, but we are going

to say them "the tantric way", as Swamiji once said to me. They are

pronounced Lung, vung (the v is like a German w, halfway between a v

and a w), rung, yung, hung, and om. The u sound for all of these is a

short u, like "Oh! I took too deep a breath, and I have a pain in my

LUNG!"

 

Another change from the standard (this is a variation from the

kundalini yoga tradition) is the om bija for ajna and sahasrara

chakras (and this variation fits very well with the Guru Gita - you'll

see what I mean)

 

Instead of pronouncing "om" at ajna chakra, say so ham (and pronounce

it this way "soooo hummmmm". Then at sahasrara, instead of saying "om"

as well, say "ham sah". Pronounce it like "hummmmm Saaaaaa". At these

two places I have not found the "ng" sound to be as effective, but you

can experiment yourself, if you like, and see which is best.

 

OK, now a bit about the chakras, in case you don't know. If you are

one of those whose chakras fairly buzz at the mearest thought, you may

skip this. Perhaps there are some of you doing this practice who are

not even sure where your chakras are. Well, this should help.

 

Each chakra (with the exception of muladhara) has an extention through

the front of the body which can act as a "trigger point" for that

chakra. In other words, it can help energize and locate the actual

chakra, which is always located along the spinal axis. These "trigger

points" are called kshetram. They are located on the front of the body

(except for sahasrara, where the chakra itself doesn't really exist in

the body, but above it). So, generally speaking, from the kshetram,

draw a straight line back to the spine and you have the location of

the actual chakra.

 

So, muladhara doesn't have a ksetram. It is located at the perineum,

between the anus and the genitals in men, and at the posterior of the

cervix in women. Svadhisthana is located near the end of the tailbone,

and its kshetram is right smack in the middle of the pubic mound.

Manipura is located opposite its kshetram, which is at the navel.

Anahata is located opposite its kshetram, which is in the middle of

the breastbone, in a line between the two nipples (in men [it's in the

same place for women, just imagine you don't have breasts]). Vishuddha

is located opposite its kshetram, which is at the hollow of the

throat. Ajna is located opposite its kshetram, which is between the

eyebrows. And the kshetram of sahasrara is at the top of the head.

 

Alright, now the practice. Each bija, from muladhara up to vishuddha

is spoken at least sixteen times. The easiest way I've found to do

this is to break it up into fours; two fours equals eight, and four

fours is sixteen. Practice fours until you "get" how it sounds, then

just combine to make sixteen (you can do more too). "lam, lam, lam,

lam...lam, lam, lam, lam..."etc. Try to feel the vibration of each

bija in its chakra; feel the chakra begin to come alive.

 

If you're having trouble feeling the chakra, try breathing through the

kshetram into the chakra on the inbreath. When you feel comfortable

with the level of awareness in the chakra, move to the next. There are

a couple of ways to do this. The best is to feel the prana moving up

the spine and into the next chakra with the inbreath, then repeat the

bija sixteen times. If you have trouble visualizing or feeling the

prana in ths spine, try visualizing it following a path up the front

of the body with the inbreath, from one kshetram to the next, and then

into the chakra. You can also, as I mentioned before, simply breathe

through the ksetram into the chakra and pronounce the bija sixteen times.

 

When you reach ajna chakra, I have found it best to use a fairly high,

nasal voice to pronounce the bija (as described in the Siddha Kunjika

Stotram) resonating in the back of the head, opposite its kshetram,

saying "SooooHummmmmmm, SoooooHummmmmmm, SoooooHummmmmmm". I have

found that trying to do sixteen at this and the next chakra is just

distracting, so I go slowly, in threes, until I get the response I

want. Now at sahasrara I use an even higher tone (almost falsetto),

and also purer, less nasal than before, "HammmmmmmSaaaaaaaaaaah,

HammmmmmmmmSaaaaaaaaah, HammmmmmmmSaaaaaaaaah." Feel the subtle

vibrations respond to the vibrations of the mantra in the chakra; feel

the pressure grow, see the light, pure and white, and brilliant.

 

Sometimes the light is not pure and white and brilliant. Sometimes you

just have to take what you can get. As long as you can energize that

chakra, as long as you can feel the awareness moving there, even a

little, it is a step forward. Just perform the meditation, and thank

the gurudevas. It is wonderful.

 

In this practice, we have dissolved the elements into their subtle

forms (at the perfected stage). To finish, we must resolve them into

their gross forms to regain balance. Begin with Ham Sah, go to So Ham,

to Ham, to Yam, to Ram, to Vam, and finally to Lam. Just say each

once, or twice, or a few times, and feel the vibrations and the

consciousness reconnect with the world of matter at each level, in

each chakra.

 

There is a science to the use of tone, notes of the musical scale, to

produce subtle effects. Experiment with moving up the tonal scale as

you move up the chakras. At ajna and sahasrara I have found it

especially valuable to kind of allow the shakti to help me select the

proper tone to energize the chakra, so experiment a little bit, but

use the high tones.

 

You can also adjust the intensity of the vocalization, louder, softer,

purer, etc. Depending on what's going on with you on any given day, a

certain intensity of vocalization may change your experience. If

you've ever heard Swamiji pronouncing bijas at homa, he makes the "ng"

reverberate like there's a pipe organ in his spine.

 

This practice can be even better if you can visualize the chakras as

you pronounce the bijas, but that is too much for one post. The

practice can be done without. If you're interested, I believe they are

described in the Devi Gita.

 

Good luck with this. If you practice you will not be disappointed.

 

"In the morning remember the divine name in the brilliant lotus in the

head, along with the Guru with two eyes and two arms, who grants the

boons of freedom from fear and peace." Guru Gita vs.95

 

 

Jai Maa!

Chris

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chris,thank you for posting this. i look forward to the post

describing the visualizations ;)

 

you are a river of love,

~leela

 

 

 

, "Chris Kirner"

<chriskirner1956> wrote:

> Having trouble finding "the brilliant lotus in the head"? (GG vs.95)

> Well, perhaps this practice will help.

>

> This is a practice called bhuta shuddhi, or purification of the

> elements. In it, one repeats the bija of each chakra in succession,

> purifying it and its associated nadis.

>

> This practice energizes each chakra in succession, leading the prana

> higher and higher, balancing the system, and opening the door to the

> experience of that consciousness peculiar to each chakra.

>

> Now, the bijas are lam, vam, ram, yam, ham, and om, but we are going

> to say them "the tantric way", as Swamiji once said to me. They are

> pronounced Lung, vung (the v is like a German w, halfway between a v

> and a w), rung, yung, hung, and om. The u sound for all of these is a

> short u, like "Oh! I took too deep a breath, and I have a pain in my

> LUNG!"

>

> Another change from the standard (this is a variation from the

> kundalini yoga tradition) is the om bija for ajna and sahasrara

> chakras (and this variation fits very well with the Guru Gita - you'll

> see what I mean)

>

> Instead of pronouncing "om" at ajna chakra, say so ham (and pronounce

> it this way "soooo hummmmm". Then at sahasrara, instead of saying "om"

> as well, say "ham sah". Pronounce it like "hummmmm Saaaaaa". At these

> two places I have not found the "ng" sound to be as effective, but you

> can experiment yourself, if you like, and see which is best.

>

> OK, now a bit about the chakras, in case you don't know. If you are

> one of those whose chakras fairly buzz at the mearest thought, you may

> skip this. Perhaps there are some of you doing this practice who are

> not even sure where your chakras are. Well, this should help.

>

> Each chakra (with the exception of muladhara) has an extention through

> the front of the body which can act as a "trigger point" for that

> chakra. In other words, it can help energize and locate the actual

> chakra, which is always located along the spinal axis. These "trigger

> points" are called kshetram. They are located on the front of the body

> (except for sahasrara, where the chakra itself doesn't really exist in

> the body, but above it). So, generally speaking, from the kshetram,

> draw a straight line back to the spine and you have the location of

> the actual chakra.

>

> So, muladhara doesn't have a ksetram. It is located at the perineum,

> between the anus and the genitals in men, and at the posterior of the

> cervix in women. Svadhisthana is located near the end of the tailbone,

> and its kshetram is right smack in the middle of the pubic mound.

> Manipura is located opposite its kshetram, which is at the navel.

> Anahata is located opposite its kshetram, which is in the middle of

> the breastbone, in a line between the two nipples (in men [it's in the

> same place for women, just imagine you don't have breasts]). Vishuddha

> is located opposite its kshetram, which is at the hollow of the

> throat. Ajna is located opposite its kshetram, which is between the

> eyebrows. And the kshetram of sahasrara is at the top of the head.

>

> Alright, now the practice. Each bija, from muladhara up to vishuddha

> is spoken at least sixteen times. The easiest way I've found to do

> this is to break it up into fours; two fours equals eight, and four

> fours is sixteen. Practice fours until you "get" how it sounds, then

> just combine to make sixteen (you can do more too). "lam, lam, lam,

> lam...lam, lam, lam, lam..."etc. Try to feel the vibration of each

> bija in its chakra; feel the chakra begin to come alive.

>

> If you're having trouble feeling the chakra, try breathing through the

> kshetram into the chakra on the inbreath. When you feel comfortable

> with the level of awareness in the chakra, move to the next. There are

> a couple of ways to do this. The best is to feel the prana moving up

> the spine and into the next chakra with the inbreath, then repeat the

> bija sixteen times. If you have trouble visualizing or feeling the

> prana in ths spine, try visualizing it following a path up the front

> of the body with the inbreath, from one kshetram to the next, and then

> into the chakra. You can also, as I mentioned before, simply breathe

> through the ksetram into the chakra and pronounce the bija sixteen

times.

>

> When you reach ajna chakra, I have found it best to use a fairly high,

> nasal voice to pronounce the bija (as described in the Siddha Kunjika

> Stotram) resonating in the back of the head, opposite its kshetram,

> saying "SooooHummmmmmm, SoooooHummmmmmm, SoooooHummmmmmm". I have

> found that trying to do sixteen at this and the next chakra is just

> distracting, so I go slowly, in threes, until I get the response I

> want. Now at sahasrara I use an even higher tone (almost falsetto),

> and also purer, less nasal than before, "HammmmmmmSaaaaaaaaaaah,

> HammmmmmmmmSaaaaaaaaah, HammmmmmmmSaaaaaaaaah." Feel the subtle

> vibrations respond to the vibrations of the mantra in the chakra; feel

> the pressure grow, see the light, pure and white, and brilliant.

>

> Sometimes the light is not pure and white and brilliant. Sometimes you

> just have to take what you can get. As long as you can energize that

> chakra, as long as you can feel the awareness moving there, even a

> little, it is a step forward. Just perform the meditation, and thank

> the gurudevas. It is wonderful.

>

> In this practice, we have dissolved the elements into their subtle

> forms (at the perfected stage). To finish, we must resolve them into

> their gross forms to regain balance. Begin with Ham Sah, go to So Ham,

> to Ham, to Yam, to Ram, to Vam, and finally to Lam. Just say each

> once, or twice, or a few times, and feel the vibrations and the

> consciousness reconnect with the world of matter at each level, in

> each chakra.

>

> There is a science to the use of tone, notes of the musical scale, to

> produce subtle effects. Experiment with moving up the tonal scale as

> you move up the chakras. At ajna and sahasrara I have found it

> especially valuable to kind of allow the shakti to help me select the

> proper tone to energize the chakra, so experiment a little bit, but

> use the high tones.

>

> You can also adjust the intensity of the vocalization, louder, softer,

> purer, etc. Depending on what's going on with you on any given day, a

> certain intensity of vocalization may change your experience. If

> you've ever heard Swamiji pronouncing bijas at homa, he makes the "ng"

> reverberate like there's a pipe organ in his spine.

>

> This practice can be even better if you can visualize the chakras as

> you pronounce the bijas, but that is too much for one post. The

> practice can be done without. If you're interested, I believe they are

> described in the Devi Gita.

>

> Good luck with this. If you practice you will not be disappointed.

>

> "In the morning remember the divine name in the brilliant lotus in the

> head, along with the Guru with two eyes and two arms, who grants the

> boons of freedom from fear and peace." Guru Gita vs.95

>

>

> Jai Maa!

> Chris

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Yes, yes, it is very cool. The bidge words carry us through one gate

to another, keeping us from being waylaid by river pirates as we

reach toward the treasure troves. Turning the hiramic key/s the

vault doors swing open. We then imbibe the treasure profusely agian

and again until we ourselves become that treasure. Tat twameva

twameva tat.

 

 

, "durgakali8" <durgakali8>

wrote:

> chris,thank you for posting this. i look forward to the post

> describing the visualizations ;)

>

> you are a river of love,

> ~leela

>

>

>

> , "Chris Kirner"

> <chriskirner1956> wrote:

> > Having trouble finding "the brilliant lotus in the head"? (GG

vs.95)

> > Well, perhaps this practice will help.

> >

> > This is a practice called bhuta shuddhi, or purification of the

> > elements. In it, one repeats the bija of each chakra in

succession,

> > purifying it and its associated nadis.

> >

> > This practice energizes each chakra in succession, leading the

prana

> > higher and higher, balancing the system, and opening the door to

the

> > experience of that consciousness peculiar to each chakra.

> >

> > Now, the bijas are lam, vam, ram, yam, ham, and om, but we are

going

> > to say them "the tantric way", as Swamiji once said to me. They

are

> > pronounced Lung, vung (the v is like a German w, halfway between

a v

> > and a w), rung, yung, hung, and om. The u sound for all of these

is a

> > short u, like "Oh! I took too deep a breath, and I have a pain

in my

> > LUNG!"

> >

> > Another change from the standard (this is a variation from the

> > kundalini yoga tradition) is the om bija for ajna and sahasrara

> > chakras (and this variation fits very well with the Guru Gita -

you'll

> > see what I mean)

> >

> > Instead of pronouncing "om" at ajna chakra, say so ham (and

pronounce

> > it this way "soooo hummmmm". Then at sahasrara, instead of

saying "om"

> > as well, say "ham sah". Pronounce it like "hummmmm Saaaaaa". At

these

> > two places I have not found the "ng" sound to be as effective,

but you

> > can experiment yourself, if you like, and see which is best.

> >

> > OK, now a bit about the chakras, in case you don't know. If you

are

> > one of those whose chakras fairly buzz at the mearest thought,

you may

> > skip this. Perhaps there are some of you doing this practice who

are

> > not even sure where your chakras are. Well, this should help.

> >

> > Each chakra (with the exception of muladhara) has an extention

through

> > the front of the body which can act as a "trigger point" for that

> > chakra. In other words, it can help energize and locate the

actual

> > chakra, which is always located along the spinal axis.

These "trigger

> > points" are called kshetram. They are located on the front of

the body

> > (except for sahasrara, where the chakra itself doesn't really

exist in

> > the body, but above it). So, generally speaking, from the

kshetram,

> > draw a straight line back to the spine and you have the location

of

> > the actual chakra.

> >

> > So, muladhara doesn't have a ksetram. It is located at the

perineum,

> > between the anus and the genitals in men, and at the posterior

of the

> > cervix in women. Svadhisthana is located near the end of the

tailbone,

> > and its kshetram is right smack in the middle of the pubic mound.

> > Manipura is located opposite its kshetram, which is at the navel.

> > Anahata is located opposite its kshetram, which is in the middle

of

> > the breastbone, in a line between the two nipples (in men [it's

in the

> > same place for women, just imagine you don't have breasts]).

Vishuddha

> > is located opposite its kshetram, which is at the hollow of the

> > throat. Ajna is located opposite its kshetram, which is between

the

> > eyebrows. And the kshetram of sahasrara is at the top of the

head.

> >

> > Alright, now the practice. Each bija, from muladhara up to

vishuddha

> > is spoken at least sixteen times. The easiest way I've found to

do

> > this is to break it up into fours; two fours equals eight, and

four

> > fours is sixteen. Practice fours until you "get" how it sounds,

then

> > just combine to make sixteen (you can do more too). "lam, lam,

lam,

> > lam...lam, lam, lam, lam..."etc. Try to feel the vibration of

each

> > bija in its chakra; feel the chakra begin to come alive.

> >

> > If you're having trouble feeling the chakra, try breathing

through the

> > kshetram into the chakra on the inbreath. When you feel

comfortable

> > with the level of awareness in the chakra, move to the next.

There are

> > a couple of ways to do this. The best is to feel the prana

moving up

> > the spine and into the next chakra with the inbreath, then

repeat the

> > bija sixteen times. If you have trouble visualizing or feeling

the

> > prana in ths spine, try visualizing it following a path up the

front

> > of the body with the inbreath, from one kshetram to the next,

and then

> > into the chakra. You can also, as I mentioned before, simply

breathe

> > through the ksetram into the chakra and pronounce the bija

sixteen

> times.

> >

> > When you reach ajna chakra, I have found it best to use a fairly

high,

> > nasal voice to pronounce the bija (as described in the Siddha

Kunjika

> > Stotram) resonating in the back of the head, opposite its

kshetram,

> > saying "SooooHummmmmmm, SoooooHummmmmmm, SoooooHummmmmmm". I have

> > found that trying to do sixteen at this and the next chakra is

just

> > distracting, so I go slowly, in threes, until I get the response

I

> > want. Now at sahasrara I use an even higher tone (almost

falsetto),

> > and also purer, less nasal than before, "HammmmmmmSaaaaaaaaaaah,

> > HammmmmmmmmSaaaaaaaaah, HammmmmmmmSaaaaaaaaah." Feel the subtle

> > vibrations respond to the vibrations of the mantra in the

chakra; feel

> > the pressure grow, see the light, pure and white, and brilliant.

> >

> > Sometimes the light is not pure and white and brilliant.

Sometimes you

> > just have to take what you can get. As long as you can energize

that

> > chakra, as long as you can feel the awareness moving there, even

a

> > little, it is a step forward. Just perform the meditation, and

thank

> > the gurudevas. It is wonderful.

> >

> > In this practice, we have dissolved the elements into their

subtle

> > forms (at the perfected stage). To finish, we must resolve them

into

> > their gross forms to regain balance. Begin with Ham Sah, go to

So Ham,

> > to Ham, to Yam, to Ram, to Vam, and finally to Lam. Just say each

> > once, or twice, or a few times, and feel the vibrations and the

> > consciousness reconnect with the world of matter at each level,

in

> > each chakra.

> >

> > There is a science to the use of tone, notes of the musical

scale, to

> > produce subtle effects. Experiment with moving up the tonal

scale as

> > you move up the chakras. At ajna and sahasrara I have found it

> > especially valuable to kind of allow the shakti to help me

select the

> > proper tone to energize the chakra, so experiment a little bit,

but

> > use the high tones.

> >

> > You can also adjust the intensity of the vocalization, louder,

softer,

> > purer, etc. Depending on what's going on with you on any given

day, a

> > certain intensity of vocalization may change your experience. If

> > you've ever heard Swamiji pronouncing bijas at homa, he makes

the "ng"

> > reverberate like there's a pipe organ in his spine.

> >

> > This practice can be even better if you can visualize the

chakras as

> > you pronounce the bijas, but that is too much for one post. The

> > practice can be done without. If you're interested, I believe

they are

> > described in the Devi Gita.

> >

> > Good luck with this. If you practice you will not be

disappointed.

> >

> > "In the morning remember the divine name in the brilliant lotus

in the

> > head, along with the Guru with two eyes and two arms, who grants

the

> > boons of freedom from fear and peace." Guru Gita vs.95

> >

> >

> > Jai Maa!

> > Chris

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