Guest guest Posted October 29, 1999 Report Share Posted October 29, 1999 Hello Michele: The variations on mantra and its proper usage are as vast as the paths to God. Robert Svoboda's teacher Vimalananda taught that it was best to never chant out loud, Yogiar who started the Kriya Babaji system believes that Tamil is the best language for chanting, some teach never to sing a mantra, others that mantras should be kept a secret. Yogi Bhajan who credits himself with the introduction of Kundalini Yoga and much of the information we have on chakras chants in Grumuki. I worked with a Naad Yogi who has specific techniques for working a mala with the chant. Even the 'western' Catholics are moving in the direction of sound and spirituality as there is an ever-growing movement towards bringing back masses in Latin for the spiritual and mystical effects of that language. Thankfully, all paths lead to one. Rather than using the 'ng' sound as out loud and the 'm' as internal I was taught that chanting any mantra out loud will work on the physical body, while softly chanting will work on the mental and silent chanting goes to the soul. Taking yet another variation of the So Hum you can add the 'ng' to it by chanting Ong Song Hung and with certain mudras it will work to clean out the aura rather quickly. A technique that I have taught is the "Hamsa" which is yet another variation of So Hum......the silent mantra starts with the exhale and 'Hum' and the inhale with 'So' this variation is said to match the natural sound of one's breath. As with so much in the spiritual world eventually all of the tools lead us to being in the position of having to know what's right from within ourselves. Georg Fuerstein explains in THE TECHNOLOGY OF ECASTY how the yogis were the outcasts of the traditional Brahman dictated society. He believed that was the start of the Forest Rishis as these people would leave the confines of proper society and live in caves to find their truth. The picture in my mind of these yogis periodically coming out of their caves with one of their discoveries went a long way in curing my mind of the need for clear cut rules. I suppose in it's own way the absence of clearly defined 'rights' and 'wrongs' wields yet another blow to the intellectual mind....it pushes us even further into trusting the silence of grace. All that being said I do appreciate this opportunity to discuss mantra which is a subject that is always of great interest to me. Namaste, Linda > Thanks for the titbit about the "ng" sound. I have also been taught > that the "m" is used for internal chanting, the "ng" for when chanting > out loud. Any work on any aspect of the lower chakras with have an > influence on Sahasrara - they are interconnected and do not exist in > isolation. The physical location of the chakras provides a point of > focus, and a way of beginning to understand their function - but they > are at once somewhere and nowhere. That is they have location but not > dimension. > > "When we chant or silently vibrate these Bijas, each consonant now > correctly ends with either a "NG" (nasal-palatal) sound, or an "M" > (labial) sound. This is called the Anuswara (literally "little > heaven"), and heaven, after all is a state of mind! Chanting aloud we > attach the "NG" sound, and meditating mentally we attach the "M" sound." > from "A Chakra & Kundalini Workbook" by Dr Jonn Mumford (Swami > Anandakapila). > > OM Shanti > Michele > > Quote Link to comment Share on other sites More sharing options...
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