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Horia Cristescu <horia

 

Friday, October 06, 2000 8:24 PM

Q : Vijnana Bhairava Tantra

 

 

Hello,

 

Can anyone help me find the text of "Vijnana Bhairava Tantra" in english online

or as an electronic document ? Thanks.

 

Love

Horia.

 

~~~~~~~~~~

 

Is this it? ~Gloria

 

http://www.hubcom.com/tantric/vijnan.htm

 

 

© 1975-1999. All rights reserved. None of this material may be reproduced, apart

from purely personal use, without the express permission of the Webmaster

 

Web pages designed by Mike Magee.

 

ac70

Original artwork is © Jan Bailey, 1996. Translations are © Mike Magee 1996.

 

 

The U.K. Main Site

at www.hubcom.com/tantric is

Hosted by Hubcom

The North American Mirror Site

at www.clas.ufl.edu/users/gthursby/tantra is

Hosted by Gene R. Thursby

 

 

 

Vijnanabhairava Tantra

The tantra is for all men, of whatver caste, and for all women -

Gautamiyatantra, quoted by Avalon

 

This very brief tantra, ascribed like many another to the Rudrayamala, is a

practical work of yoga full of different methods of realising oneness with

Shiva/Shakti. It exists, with Sanskrit text and an English translation, by

Jaideva Singh, and is published by Motilal Banarsidas. It prescribes over 100

dharanas, or things to meditate on, which can bring a person to realise that she

or he is one with Shiva and Shakti. Referring to the Shiva Sutras, on this site,

will help in an understanding of this material.

 

Some years ago I wrote this summary of Vijnanabhairava which may be of some

interest to people. It looks at the different verses of the tantra and outlines

the yoga techniques within.

 

1. Fix the mind at the centre of the body (prana) and at the dvadashanta (apana

= about nine inches outside the body)

 

The human body breathes 21,600 times during 24 hours, according to the tantras.

The outward breath extends to around nine inches outside the body. This is a

meditation on the cycle of this breath. Breath is one with time and therefore

the Kalachakra or wheel of time. This is expanded in the Tantrarajatantra, which

shows the essential unity of breath, time, the letters of the Sanskrit alphabet

and the planets.

 

2. Fix the mind at the moment of pause at the heart and at the dvadashanta.

 

3. Prana and Apana enter the Sushumna or central nadi.

 

The in-breath and the out-breath both have their seat in the Sushumna, which is

the central axis of the human body, according to the tantriks.

 

4. Retention of Prana Shakti at the heart and at the dvadashanta.

 

The breath, as Shakti, is one with the supreme Shakti. It moves throughout the

body through the different nadis or conduits of bioenergy but can be

concentrated at different points by meditation.

 

5. Meditate on Shakti rising from Muladhara and getting subtler and subtler up

to Brahmarandhra.

 

This and the next few verses relate to the so-called Kundalini experience. In

the Shri Vidya tradition, you can meditate upon the different mandalas of the

Shri Yantra relating to these centres and being identical with the 15-lettered

mantra, piercing through the three knots (granthis) and becoming more and more

void. See Varivararahasya.

 

6. Successive Kundalini rising through the Shaktis.

 

7. Meditation of the 12 stages - Janmagra, Mula, Kanda, navel, heart, throat,

root of palate, centre of eye brows, forehead, Brahmarandhra, Shakti, Vyapini:

these are the first 12 vowels in the Sanskrit alphabet.

 

8. After filling the Brahmarandhra with Prana, free the mind of all thought

constructs.

 

9. Meditate in the heart on the five voids of the five senses.

 

10. Meditate successively on things outside the body.

 

11. Fix attention on the inside of the skull. Close eyes.

 

12. Meditate on the inner emptiness of central nadi.

 

13. Block the openings of the senses.

 

14. Meditate either in the heart or in the Brahmarandhra on the bindu.

 

15. Listen to the Anahata sound.

 

The essential pulse or vibration exists as sound in the heart centre. By

listening, one can achieve high states of consciousness. These sounds may start

as bells or like other different sounds produced by musical instruments. See

Kaulajnananirnaya.

 

16. Meditate on Om and the void at the end of it.

 

Each of the bija or root mantras, of which Om is the most famous, do not end but

gradually fade away into a void.

 

17. Contemplate on the state of a letter before and after its utterance.

 

18. Listen to the sound of a musical instrument as it dies away.

 

19. Meditate on bija mantras up to their subtle stages.

 

20. Meditate on the void in one's body extending in all directions

simultaneously.

 

21. Concentrate on the void above and the void below.

 

22. Meditate on the three voids: below, in the heart, and above.

 

23. Contemplate on the body which as the limited subject is void.

 

24. Contemplate on the dhatus or bodily elements as pervaded with voidness.

 

25. Meditate on the skin as being like an outer wall with nothing within it.

 

26. Merge the mind and the senses in the interior space in the heart.

 

27. Dissolve mind in the Brahmarandhra.

 

This is the so-called 1,000 petalled lotus.

 

28. Fix mind repeatedly at the Dvadashanta.

 

29. Burn body by fire of Kalagni Rudra issuing from the big toe of the right

foot using the mantra Om raksharayum tanum dahmami.

 

This technique is also described in Kaulajnananirnaya, ascribed to

Matsyendranath.

 

30. Imagine the entire world as being burnt by Kalagni Rudra.

 

31. Meditate that the subtle constituents of the body or the world are being

absorbed in their own respective causes.

 

32. Make Pranashakti subtle and meditate on it in the Brahmarandhra or in the

heart.

 

33. Meditate on the whole cosmos dissolving from gross into subtle into supreme

until the mind dissolves in consciousness.

 

34. Meditate on the Shaiva Tattva as pervading the whole universe.

 

35. Concentrate intensely on the idea that the universe is completely void.

 

36. Meditate on the empty space within a jar.

 

37. Concentrate on a deserted space.

 

38. Concentrate on the space which occurs between two ideas.

 

39. Contemplate on the gap between one thought while suppressing another

thought.

 

40. Contemplate on one's own body as the universe and as of the nature of

consciousness.

 

41. Fusion of Prana and Apana gives rise to a void.

 

42. Contemplate on the universe or one's own body as being filled with bliss.

 

43. Contemplate in the delight which arises from a magical act.

 

44. Contemplate on the tingling sensation caused by Prana Shakti moving upwards.

 

45. Concentrate on the consciousness between upper and lower Kundalini. This is

like internal sexual union.

 

46. The delight of orgasm is the delight of Brahman.

 

47. Meditate on the delight of sexual union.

 

48. Meditate on the occasion of any great delight.

 

49. The delight of taste.

 

50. The delight of song.

 

51. Concentrate on the feeling of satisfaction.

 

52. Concentrate on the hypnagogic state.

 

That is the space between waking and sleeping. According to the tantriks,

consciousness exists in the waking, dreaming, deep sleep states. There is a

Fourth state (Turiya) which pervades all these and the Turiyatita (beyond the

fourth) which is the basis of all.

 

53. Concentrate on space variegated with the rays of the Sun and the Moon.

 

54. Concentrate on the following mudras. a) The world viewed as a skeleton b)

Gathering all 24 tattvas into the body of mantra. c) Keep eyes fixed externally

while turning inwards. d) Tasting of whole cosmos in the nature of

I-consciousness. e) Remaining in Shiva consciousness continually.

 

55. Six relaxed.

 

56. Sit relaxed, place arms in form of arch overhead.

 

57. Fix gaze on object whilst directing attention inwards.

 

58. Keep mouth open, invert tongue to touch palate. Fix mind in the centre of

your open mouth and voice a vowel-less H mentally.

 

59. Sit on soft seat and meditate body sits without support of the seat.

 

60. Swing.

 

61. Contemplate cloudless sky.

 

62. Contemplate entire sky as being in Bhairava and dissolved in the head.

 

63. Concentrate on wake, dream, deep sleep as being the Bhairava continuum.

 

64. Concentrate on external darkness of a dark night in the dark fortnight of

the Moon.

 

65. Contemplate on terrible darkness first and then the terrible form of

Bhairava.

 

66. Obstruction of an organ of sense causes spiritual introversion.

 

67. Recite the letter A without bindu or visarga.

 

That is, the first vowel without a sound.

 

68. Concentrate on the end of visarga in a letter.

 

69. Concentrate on one's own self as a vast unlimited expanse.

 

70. Concentrate on pain.

 

71. Concentrate that within yourself the inner psychic complex does not exist.

 

72. Concentrate on Maya and her Shaktis as limiting factors.

 

73. Cut a desire as soon as it has arisen.

 

74. Iccha, Jnana and Kriya of the limited individual are not the same as the

essential self.

 

75. When a desire, knowledge or activity arises, concentrate on it.

 

That is, Iccha, Jnana and Kriya shaktis.

 

76. Concentrate that all knowledge is without cause, is base and deceives, it

does not belong to any one person.

 

77. The same self is in every body.

 

78. Make mind one pointed when under the dominion of desire, anger, greed,

infatuation, arrogance or envy.

 

79. Conceive the cosmos as a juggler's act.

 

80. Dwell on the reality which exists between pain and pleasure.

 

81. Think: "I am not my own body. I exist everywhere".

 

82. Knowledge, desire and activity appear in all objects.

 

83. Contemplate that the same consciousness exists in all bodies.

 

84. Free the mind from supports and refrain from all thoughts and their

associations.

 

85. Think: "I am Shiva".

 

86. As waves come from water, flames from fire, rays from the Sun, so the waves

of the cosmos come from Bhairava.

 

87. Dizziness.

 

88. Mental dizziness.

 

89. Concentrate on the reality within while looking outside, so merging the

Absolute as Sound (the Shabda Brahman).

 

90. Concentrate on a bottomless well or as standing in a very high place.

 

91. Whether outside or inside, Shiva is omnipresent.

 

92. Every sensation is an expression of pure consciousness.

 

93. Ordinary consciousness shocked in sneezing, terror, sorrow, deep sighs,

flying from battles, at the beginning or the end of anger, can reveal the Shiva

state.

 

94. Ignore the memory of an object and fix attention on the original experience

which was the basis of the memory.

 

95. Look at an object, withdraw it, slowly eliminate the knowledge of the object

together with the thought and impressions.

 

96. Intuition emerging from intensity of devotion.

 

97. When one object is perceived, all other objects become empty. Concentrate on

that emptiness.

 

98. Mental purity arises above variations in association of thought.

 

99. Bhairava appears in the I-consciousness.

 

100. Develop Sama towards all.

 

Sama means equipoise. See Ecstasy on this site.

 

101. Reject both repulsion and attachment, cleave to Sama.

 

102. Bhairava is that which is not an object, cannot be grasped, is void, even

in non-existence.

 

103. Concentrate on space as omnipresent free of all limitations.

 

104. Withdraw attention from distracting object and concentrate on the object of

meditation.

 

105. Recite the name Bhairava incessantly.

 

106. Look for the I which exists in all limited "I's"

 

107. Think of the sense of words which are eternal, omnipresent, have no

support, pervade and is the Lord of all that is.

 

108. The whole universe has the reality of a magic show.

 

109. How can Knowledge (Jnana) or Action (Kriya) exist in the eternal? All

external objects are based on knowledge, therefore the world is void.

 

110. There is no bondage or liberation, the universe is a reflection like the

Sun in water.

 

111. All contact with pleasure and pain is through the senses. If you detach the

senses from oneself, you can withdraw.

 

112. Concentrate on the Knower and the Known as one and the same.

 

 

 

 

 

Artwork is © Jan Bailey, 1995. Translations are © Mike Magee 1995. Questions or

comments to ac70

 

Home Page

Link to comment
Share on other sites

Thanks for helping Horia, Gloria (hey, your names rhyme. There is a poem in

here somewhere).

 

Vijnana Bhairava Tantra is one of the great scriptures. It probably has

numerous beautiful commentaries to expand on the terse statements. Those

commentaries would be helpful as well Horia. Thanks again Gloria (for

helping out Horia). I feel a poem coming up. Got to suppress it! (:-).

 

Love

Harsha

 

 

Gloria Lee [glee]

Friday, October 06, 2000 9:39 PM

Re: Q : Vijnana Bhairava Tantra

 

 

 

-

Horia Cristescu <horia

 

Friday, October 06, 2000 8:24 PM

Q : Vijnana Bhairava Tantra

 

 

Hello,

 

Can anyone help me find the text of "Vijnana Bhairava Tantra" in english

online

or as an electronic document ? Thanks.

 

Love

Horia.

 

~~~~~~~~~~

 

Is this it? ~Gloria

 

http://www.hubcom.com/tantric/vijnan.htm

 

 

© 1975-1999. All rights reserved. None of this material may be reproduced,

apart

from purely personal use, without the express permission of the Webmaster

 

Web pages designed by Mike Magee.

 

ac70

Original artwork is © Jan Bailey, 1996. Translations are © Mike Magee 1996.

 

 

The U.K. Main Site

at www.hubcom.com/tantric is

Hosted by Hubcom

The North American Mirror Site

at www.clas.ufl.edu/users/gthursby/tantra is

Hosted by Gene R. Thursby

 

 

 

Vijnanabhairava Tantra

The tantra is for all men, of whatver caste, and for all women -

Gautamiyatantra, quoted by Avalon

 

This very brief tantra, ascribed like many another to the Rudrayamala, is a

practical work of yoga full of different methods of realising oneness with

Shiva/Shakti. It exists, with Sanskrit text and an English translation, by

Jaideva Singh, and is published by Motilal Banarsidas. It prescribes over

100

dharanas, or things to meditate on, which can bring a person to realise that

she

or he is one with Shiva and Shakti. Referring to the Shiva Sutras, on this

site,

will help in an understanding of this material.

 

Some years ago I wrote this summary of Vijnanabhairava which may be of some

interest to people. It looks at the different verses of the tantra and

outlines

the yoga techniques within.

 

1. Fix the mind at the centre of the body (prana) and at the dvadashanta

(apana

= about nine inches outside the body)

 

The human body breathes 21,600 times during 24 hours, according to the

tantras.

The outward breath extends to around nine inches outside the body. This is a

meditation on the cycle of this breath. Breath is one with time and

therefore

the Kalachakra or wheel of time. This is expanded in the Tantrarajatantra,

which

shows the essential unity of breath, time, the letters of the Sanskrit

alphabet

and the planets.

 

2. Fix the mind at the moment of pause at the heart and at the dvadashanta.

 

3. Prana and Apana enter the Sushumna or central nadi.

 

The in-breath and the out-breath both have their seat in the Sushumna, which

is

the central axis of the human body, according to the tantriks.

 

4. Retention of Prana Shakti at the heart and at the dvadashanta.

 

The breath, as Shakti, is one with the supreme Shakti. It moves throughout

the

body through the different nadis or conduits of bioenergy but can be

concentrated at different points by meditation.

 

5. Meditate on Shakti rising from Muladhara and getting subtler and subtler

up

to Brahmarandhra.

 

This and the next few verses relate to the so-called Kundalini experience.

In

the Shri Vidya tradition, you can meditate upon the different mandalas of

the

Shri Yantra relating to these centres and being identical with the

15-lettered

mantra, piercing through the three knots (granthis) and becoming more and

more

void. See Varivararahasya.

 

6. Successive Kundalini rising through the Shaktis.

 

7. Meditation of the 12 stages - Janmagra, Mula, Kanda, navel, heart,

throat,

root of palate, centre of eye brows, forehead, Brahmarandhra, Shakti,

Vyapini:

these are the first 12 vowels in the Sanskrit alphabet.

 

8. After filling the Brahmarandhra with Prana, free the mind of all thought

constructs.

 

9. Meditate in the heart on the five voids of the five senses.

 

10. Meditate successively on things outside the body.

 

11. Fix attention on the inside of the skull. Close eyes.

 

12. Meditate on the inner emptiness of central nadi.

 

13. Block the openings of the senses.

 

14. Meditate either in the heart or in the Brahmarandhra on the bindu.

 

15. Listen to the Anahata sound.

 

The essential pulse or vibration exists as sound in the heart centre. By

listening, one can achieve high states of consciousness. These sounds may

start

as bells or like other different sounds produced by musical instruments. See

Kaulajnananirnaya.

 

16. Meditate on Om and the void at the end of it.

 

Each of the bija or root mantras, of which Om is the most famous, do not end

but

gradually fade away into a void.

 

17. Contemplate on the state of a letter before and after its utterance.

 

18. Listen to the sound of a musical instrument as it dies away.

 

19. Meditate on bija mantras up to their subtle stages.

 

20. Meditate on the void in one's body extending in all directions

simultaneously.

 

21. Concentrate on the void above and the void below.

 

22. Meditate on the three voids: below, in the heart, and above.

 

23. Contemplate on the body which as the limited subject is void.

 

24. Contemplate on the dhatus or bodily elements as pervaded with voidness.

 

25. Meditate on the skin as being like an outer wall with nothing within it.

 

26. Merge the mind and the senses in the interior space in the heart.

 

27. Dissolve mind in the Brahmarandhra.

 

This is the so-called 1,000 petalled lotus.

 

28. Fix mind repeatedly at the Dvadashanta.

 

29. Burn body by fire of Kalagni Rudra issuing from the big toe of the right

foot using the mantra Om raksharayum tanum dahmami.

 

This technique is also described in Kaulajnananirnaya, ascribed to

Matsyendranath.

 

30. Imagine the entire world as being burnt by Kalagni Rudra.

 

31. Meditate that the subtle constituents of the body or the world are being

absorbed in their own respective causes.

 

32. Make Pranashakti subtle and meditate on it in the Brahmarandhra or in

the

heart.

 

33. Meditate on the whole cosmos dissolving from gross into subtle into

supreme

until the mind dissolves in consciousness.

 

34. Meditate on the Shaiva Tattva as pervading the whole universe.

 

35. Concentrate intensely on the idea that the universe is completely void.

 

36. Meditate on the empty space within a jar.

 

37. Concentrate on a deserted space.

 

38. Concentrate on the space which occurs between two ideas.

 

39. Contemplate on the gap between one thought while suppressing another

thought.

 

40. Contemplate on one's own body as the universe and as of the nature of

consciousness.

 

41. Fusion of Prana and Apana gives rise to a void.

 

42. Contemplate on the universe or one's own body as being filled with

bliss.

 

43. Contemplate in the delight which arises from a magical act.

 

44. Contemplate on the tingling sensation caused by Prana Shakti moving

upwards.

 

45. Concentrate on the consciousness between upper and lower Kundalini. This

is

like internal sexual union.

 

46. The delight of orgasm is the delight of Brahman.

 

47. Meditate on the delight of sexual union.

 

48. Meditate on the occasion of any great delight.

 

49. The delight of taste.

 

50. The delight of song.

 

51. Concentrate on the feeling of satisfaction.

 

52. Concentrate on the hypnagogic state.

 

That is the space between waking and sleeping. According to the tantriks,

consciousness exists in the waking, dreaming, deep sleep states. There is a

Fourth state (Turiya) which pervades all these and the Turiyatita (beyond

the

fourth) which is the basis of all.

 

53. Concentrate on space variegated with the rays of the Sun and the Moon.

 

54. Concentrate on the following mudras. a) The world viewed as a skeleton

b)

Gathering all 24 tattvas into the body of mantra. c) Keep eyes fixed

externally

while turning inwards. d) Tasting of whole cosmos in the nature of

I-consciousness. e) Remaining in Shiva consciousness continually.

 

55. Six relaxed.

 

56. Sit relaxed, place arms in form of arch overhead.

 

57. Fix gaze on object whilst directing attention inwards.

 

58. Keep mouth open, invert tongue to touch palate. Fix mind in the centre

of

your open mouth and voice a vowel-less H mentally.

 

59. Sit on soft seat and meditate body sits without support of the seat.

 

60. Swing.

 

61. Contemplate cloudless sky.

 

62. Contemplate entire sky as being in Bhairava and dissolved in the head.

 

63. Concentrate on wake, dream, deep sleep as being the Bhairava continuum.

 

64. Concentrate on external darkness of a dark night in the dark fortnight

of

the Moon.

 

65. Contemplate on terrible darkness first and then the terrible form of

Bhairava.

 

66. Obstruction of an organ of sense causes spiritual introversion.

 

67. Recite the letter A without bindu or visarga.

 

That is, the first vowel without a sound.

 

68. Concentrate on the end of visarga in a letter.

 

69. Concentrate on one's own self as a vast unlimited expanse.

 

70. Concentrate on pain.

 

71. Concentrate that within yourself the inner psychic complex does not

exist.

 

72. Concentrate on Maya and her Shaktis as limiting factors.

 

73. Cut a desire as soon as it has arisen.

 

74. Iccha, Jnana and Kriya of the limited individual are not the same as the

essential self.

 

75. When a desire, knowledge or activity arises, concentrate on it.

 

That is, Iccha, Jnana and Kriya shaktis.

 

76. Concentrate that all knowledge is without cause, is base and deceives,

it

does not belong to any one person.

 

77. The same self is in every body.

 

78. Make mind one pointed when under the dominion of desire, anger, greed,

infatuation, arrogance or envy.

 

79. Conceive the cosmos as a juggler's act.

 

80. Dwell on the reality which exists between pain and pleasure.

 

81. Think: "I am not my own body. I exist everywhere".

 

82. Knowledge, desire and activity appear in all objects.

 

83. Contemplate that the same consciousness exists in all bodies.

 

84. Free the mind from supports and refrain from all thoughts and their

associations.

 

85. Think: "I am Shiva".

 

86. As waves come from water, flames from fire, rays from the Sun, so the

waves

of the cosmos come from Bhairava.

 

87. Dizziness.

 

88. Mental dizziness.

 

89. Concentrate on the reality within while looking outside, so merging the

Absolute as Sound (the Shabda Brahman).

 

90. Concentrate on a bottomless well or as standing in a very high place.

 

91. Whether outside or inside, Shiva is omnipresent.

 

92. Every sensation is an expression of pure consciousness.

 

93. Ordinary consciousness shocked in sneezing, terror, sorrow, deep sighs,

flying from battles, at the beginning or the end of anger, can reveal the

Shiva

state.

 

94. Ignore the memory of an object and fix attention on the original

experience

which was the basis of the memory.

 

95. Look at an object, withdraw it, slowly eliminate the knowledge of the

object

together with the thought and impressions.

 

96. Intuition emerging from intensity of devotion.

 

97. When one object is perceived, all other objects become empty.

Concentrate on

that emptiness.

 

98. Mental purity arises above variations in association of thought.

 

99. Bhairava appears in the I-consciousness.

 

100. Develop Sama towards all.

 

Sama means equipoise. See Ecstasy on this site.

 

101. Reject both repulsion and attachment, cleave to Sama.

 

102. Bhairava is that which is not an object, cannot be grasped, is void,

even

in non-existence.

 

103. Concentrate on space as omnipresent free of all limitations.

 

104. Withdraw attention from distracting object and concentrate on the

object of

meditation.

 

105. Recite the name Bhairava incessantly.

 

106. Look for the I which exists in all limited "I's"

 

107. Think of the sense of words which are eternal, omnipresent, have no

support, pervade and is the Lord of all that is.

 

108. The whole universe has the reality of a magic show.

 

109. How can Knowledge (Jnana) or Action (Kriya) exist in the eternal? All

external objects are based on knowledge, therefore the world is void.

 

110. There is no bondage or liberation, the universe is a reflection like

the

Sun in water.

 

111. All contact with pleasure and pain is through the senses. If you detach

the

senses from oneself, you can withdraw.

 

112. Concentrate on the Knower and the Known as one and the same.

 

 

 

 

 

Artwork is © Jan Bailey, 1995. Translations are © Mike Magee 1995. Questions

or

comments to ac70

 

Home Page

 

 

 

 

 

//

 

All paths go somewhere. No path goes nowhere. Paths, places, sights,

perceptions, and indeed all experiences arise from and exist in and subside

back into the Space of Awareness. Like waves rising are not different than

the ocean, all things arising from Awareness are of the nature of Awareness.

Awareness does not come and go but is always Present. It is Home. Home is

where the Heart Is. Jnanis know the Heart to be the Finality of Eternal

Being. A true devotee relishes in the Truth of Self-Knowledge, spontaneously

arising from within into It Self. Welcome all to a.

 

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-

Harsha <harsha-hkl

 

Saturday, October 07, 2000 1:02 PM

RE: Q : Vijnana Bhairava Tantra

 

 

Thanks for helping Horia, Gloria (hey, your names rhyme. There is a poem in

here somewhere).

 

Vijnana Bhairava Tantra is one of the great scriptures. It probably has

numerous beautiful commentaries to expand on the terse statements. Those

commentaries would be helpful as well Horia. Thanks again Gloria (for

helping out Horia). I feel a poem coming up. Got to suppress it! (:-).

 

Love

Harsha

 

 

Dear Harsha,

 

Yes, in a fit of silliness we once made "couples" of people here whose names

rhyme and there was no one for me, now there is!!

 

Suppression isn't good for you, Harsha, but sometimes it is appreciated. :)

 

Love,

Gloria

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